{"id":10030,"date":"2026-04-02T11:35:24","date_gmt":"2026-04-02T11:35:24","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/02\/made-in-fire-island-how-artists-were-at-the-heart-of-the-lgbtq-mecca-culture-the-guardian\/"},"modified":"2026-04-02T11:35:24","modified_gmt":"2026-04-02T11:35:24","slug":"made-in-fire-island-how-artists-were-at-the-heart-of-the-lgbtq-mecca-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/02\/made-in-fire-island-how-artists-were-at-the-heart-of-the-lgbtq-mecca-culture-the-guardian\/","title":{"rendered":"Made in Fire Island: how artists were at the heart of the LGBTQ+ mecca Culture | The Guardian"},"content":{"rendered":"

A new book shows that the work of Robert Mapplethorpe and Peter Hujar \u2013 as well as a new generation of artists \u2013 would not be the same without the New York island<\/p>\n

In the summer of 2015, Leilah Babirye<\/a>, a sculptor, left her home town in Uganda and arrived for an artist residency in the bohemian, beach-y queer splendor of Fire Island\u2019s Cherry Grove. She tells the story in a new book, Fire Island Art: 100 Years<\/a>, released this month by Monacelli. After Googling \u201cLGBTQ+ artist residences\u201d, she earned a spot at the Fire Island Artist Residency, established four years earlier to make the famed enclave more accessible. But the lesbian daughter of a conservative minister wasn\u2019t prepared for just how queer the place was. With its roving clusters of people buzzing around the dunes and pool parties to show off the various currencies \u2013 physical, financial, interpersonal \u2013 they had to spend, she says, \u201cI thought Cherry Grove was America.\u201d Was she wrong?<\/p>\n

The story of the modern Fire Island is, in some ways, a particularly American one, in which outcasts light out for the territories to make their dreams come true. In the case of the picturesque barrier island off the coast of Long Island, those dreams were both sexual and creative from the start. Edited by John Dempsey, island resident and president of the Fire Island Pines Historical Society, Fire Island Art: 100 Years traces a legacy begun by the pre-war trio of Paul Cadmus, Jared French and Margaret French, who, as part of the artistic collaboration PaJaMa, made beguiling paintings and photographs of the unconventional intimacies they formed while summering among the island\u2019s nooks and crannies.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

A new book shows that the work of Robert Mapplethorpe and Peter Hujar \u2013 as well as a new generation of artists \u2013 would not be the same without the New York island In the summer of 2015, Leilah Babirye, a sculptor, left her home town in Uganda and arrived for an artist residency in...<\/p>\n","protected":false},"author":1,"featured_media":10031,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nMade in Fire Island: how artists were at the heart of the LGBTQ+ mecca Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/02\/made-in-fire-island-how-artists-were-at-the-heart-of-the-lgbtq-mecca-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Made in Fire Island: how artists were at the heart of the LGBTQ+ mecca Culture | The Guardian - 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