{"id":10080,"date":"2026-04-09T12:44:09","date_gmt":"2026-04-09T12:44:09","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/09\/my-new-band-believe-review-beautiful-ideas-burst-from-ex-black-midi-mans-lovable-debut-album-culture-the-guardian\/"},"modified":"2026-04-09T12:44:09","modified_gmt":"2026-04-09T12:44:09","slug":"my-new-band-believe-review-beautiful-ideas-burst-from-ex-black-midi-mans-lovable-debut-album-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/09\/my-new-band-believe-review-beautiful-ideas-burst-from-ex-black-midi-mans-lovable-debut-album-culture-the-guardian\/","title":{"rendered":"My New Band Believe review \u2013 beautiful ideas burst from ex-Black Midi man\u2019s lovable debut album Culture | The Guardian"},"content":{"rendered":"

(Rough Trade)
<\/strong>Smoothing out the jump-cut chaos of his previous band, Cameron Picton brings entirely acoustic instrumentation to bear on these lovely, beguiling songs<\/p>\n

In the middle of Hellfire, the final album by British art-rockers Black Midi, lurked a song called Still. It was easy to overlook. As you may recall, Hellfire was a rock opera that \u2013 even by the standards of rock operas, seldom the first place to look for a linear, elevator-pitch-friendly plot \u2013 made no sense whatsoever: there was some business about a boxing match, an actor who exploded on stage, and a set of army recruits with names such as Tristan Bongo and Mrs Gonorrhoea. It was admittedly difficult to pay attention to the narrative, distracted as one was by the sound of Black Midi continually doing their nut in their traditionally maximalist style: scrabbly riffs, jagged chords, free-blowing sax, bursts of noise, cocktail jazz interludes, Beefheartian rhythms, bursts of accordion, the sound of the kitchen sink being dragged into the studio etc. Amid all that, what price a sweetly lambent acoustic track, with a little country and a dab of bucolic Canterbury prog in its DNA, sung not by frontman Geordie Greep in one of his apparently fathomless array of funny voices, but by bassist Cameron Picton, a man possessed of an understated, guileless vocal style?<\/p>\n

It\u2019s hard not to think of Still when considering Picton\u2019s first post-Black Midi album as My New Band Believe, recorded with a host of left-field and improv-friendly musicians, among them veteran drummer Steve Noble, once of skronky 80s post-punk hellraisers Rip Rig + Panic. While Greep\u2019s 2024 solo debut The New Sound offered the full sonic smorgasbord familiar to Black Midi fans \u2013 all the sudden leaps from samba to heavy riffing and Zappa-ish jazz-rock your heart might desire \u2013 My New Band Believe\u2019s eponymous debut could be read as an album that takes Still as its starting point.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(Rough Trade)Smoothing out the jump-cut chaos of his previous band, Cameron Picton brings entirely acoustic instrumentation to bear on these lovely, beguiling songs In the middle of Hellfire, the final album by British art-rockers Black Midi, lurked a song called Still. It was easy to overlook. As you may recall, Hellfire was a rock opera...<\/p>\n","protected":false},"author":1,"featured_media":10081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nMy New Band Believe review \u2013 beautiful ideas burst from ex-Black Midi man\u2019s lovable debut album Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/09\/my-new-band-believe-review-beautiful-ideas-burst-from-ex-black-midi-mans-lovable-debut-album-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"My New Band Believe review \u2013 beautiful ideas burst from ex-Black Midi man\u2019s lovable debut album Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Rough Trade)Smoothing out the jump-cut chaos of his previous band, Cameron Picton brings entirely acoustic instrumentation to bear on these lovely, beguiling songs In the middle of Hellfire, the final album by British art-rockers Black Midi, lurked a song called Still. 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