{"id":10110,"date":"2026-04-14T05:39:53","date_gmt":"2026-04-14T05:39:53","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/14\/we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last-culture-the-guardian\/"},"modified":"2026-04-14T05:39:53","modified_gmt":"2026-04-14T05:39:53","slug":"we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/14\/we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last-culture-the-guardian\/","title":{"rendered":"\u2018We want people on the edge of their seats\u2019: Royal Opera boss Oliver Mears on the new season \u2013 and the controversies of the last Culture | The Guardian"},"content":{"rendered":"<p>Wagnerites rejoice! Parsifal and the climax of Barrie Kosky\u2019s acclaimed Ring cycle are in the pipeline. The director of opera talks about scoring a bullseye, the storms that rocked last season \u2013 and how to avoid sending audiences to sleep<\/p>\n<p>The morning I meet Oliver Mears, the director of opera at Covent Garden, I\u2019m still walking on air. The day before I\u2019d seen <a href=\"https:\/\/www.theguardian.com\/music\/2026\/mar\/18\/siegfried-review-invigorating-and-mesmering-staging-andreas-schager-barrie-kosky-royal-opera-house-london\">Wagner\u2019s epic Siegfried<\/a>, the third part of the Ring cycle. Nearly six hours long, it is an immersion into a world of gods and giants, heroes and warrior women \u2013 but also profound and poignant human relationships. With the remarkable <a href=\"https:\/\/www.theguardian.com\/music\/2026\/mar\/15\/siegfried-wants-to-have-fun-kill-the-dragon-meet-the-girl-andreas-schager-on-wagners-young-bully\">Andreas Schager<\/a> in the title role among a superb ensemble cast, it is the Royal Opera at its best. On the way to his office, Mears walks through the backstage labyrinth. Singers are warming up; wardrobe people are discussing a costume\u2019s last-minute fix; and a couple of mice scurrying across the canteen lend a bohemian atmosphere. Heaven (give or take the rodents).<\/p>\n<p>Mears tells me about next season: course after course of operatic banquet. There will be a new Parsifal, conducted by music director <a href=\"https:\/\/www.theguardian.com\/culture\/2022\/oct\/18\/royal-opera-house-announces-jakub-hrusa-as-its-new-music-director\">Jakub Hr\u016f\u0161a<\/a> and directed, in his house debut, by the \u201cbrilliantly charismatic and interesting\u201d Kazakhstan-born Evgeny Titov. There\u2019s a new Un Ballo in Maschera by Verdi, with another director fresh to the house, the \u201cstylish and rigorous\u201d German Philipp St\u00f6lzl. There\u2019s a return for Richard Jones\u2019s brilliant production of Jan\u00e1\u010dek\u2019s <a href=\"https:\/\/www.theguardian.com\/music\/2019\/feb\/05\/katya-kabanova-janacek-review-royal-opera-house-london-richard-jones-edward-gardner\">K\u00e1t\u2019a Kabanov\u00e1<\/a> with Hr\u016f\u0161a conducting \u2013 whose interpretation of <a href=\"https:\/\/www.theguardian.com\/music\/2025\/jan\/16\/janacek-jenufa-review-royal-opera-jakub-hrusa-winters-mattila\">Jan\u00e1\u010dek\u2019s Jen\u016ffa<\/a> last season was one of the musical experiences of my life.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/apr\/14\/we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/apr\/14\/we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/d5fb14d3b4a87489881288b0f7ec3586f0b26de0\/150_595_5966_4773\/master\/5966.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7dc66bc14d6ae89ea304534b4c89b213\" title=\"\u2018We want people on the edge of their seats\u2019: Royal Opera boss Oliver Mears on the new season \u2013 and the controversies of the last\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Wagnerites rejoice! Parsifal and the climax of Barrie Kosky\u2019s acclaimed Ring cycle are in the pipeline. The director of opera talks about scoring a bullseye, the storms that rocked last season \u2013 and how to avoid sending audiences to sleep The morning I meet Oliver Mears, the director of opera at Covent Garden, I\u2019m still&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018We want people on the edge of their seats\u2019: Royal Opera boss Oliver Mears on the new season \u2013 and the controversies of the last Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/14\/we-want-people-on-the-edge-of-their-seats-royal-opera-boss-oliver-mears-on-the-new-season-and-the-controversies-of-the-last-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We want people on the edge of their seats\u2019: Royal Opera boss Oliver Mears on the new season \u2013 and the controversies of the last Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Wagnerites rejoice! Parsifal and the climax of Barrie Kosky\u2019s acclaimed Ring cycle are in the pipeline. 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