{"id":10122,"date":"2026-04-15T14:31:48","date_gmt":"2026-04-15T14:31:48","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/"},"modified":"2026-04-15T14:31:48","modified_gmt":"2026-04-15T14:31:48","slug":"a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/","title":{"rendered":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian"},"content":{"rendered":"<p>\u2018I went to this tourist resort in Accra wanting to show how the people who live there fish, play \u2013 and rest. Africans aren\u2019t often portrayed in this way. And the horse pulls it all together!\u2019<\/p>\n<p>This was taken at Labadi, a popular tourist resort in Accra, the capital of Ghana. You don\u2019t often see this side of it. People go there for the golden sand and nightlife but they don\u2019t really integrate with the community who live there. I wanted to show how they fish \u2013 in traditional canoes \u2013 how they rest, how they play.<\/p>\n<p>I love how this door looks fronting a ruined farm building. It represents the freedom of not being bound by walls. And I love the Ghanaian flag on the side \u2013 a nod to place and heritage. I just thought it was a beautiful set. The community keeps a few horses in stables, which they use to carry equipment. The one in the picture pulls it all together and adds elegance, because it\u2019s such a majestic and beautiful animal. The way Africans are often portrayed in documentary photography isn\u2019t like this.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/15\/ghanaians-elegant-horse-ron-timehins-best-photograph-accra\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/15\/ghanaians-elegant-horse-ron-timehins-best-photograph-accra\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/67c9f69c5c958edd7531d5595119d937a6d05dc1\/167_0_1666_1333\/master\/1666.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=884ce423457c714b8b3ce791c1ab44b8\" title=\"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>\u2018I went to this tourist resort in Accra wanting to show how the people who live there fish, play \u2013 and rest. Africans aren\u2019t often portrayed in this way. And the horse pulls it all together!\u2019 This was taken at Labadi, a popular tourist resort in Accra, the capital of Ghana. You don\u2019t often see&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"\u2018I went to this tourist resort in Accra wanting to show how the people who live there fish, play \u2013 and rest. Africans aren\u2019t often portrayed in this way. And the horse pulls it all together!\u2019 This was taken at Labadi, a popular tourist resort in Accra, the capital of Ghana. You don\u2019t often see&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-15T14:31:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/67c9f69c5c958edd7531d5595119d937a6d05dc1\/167_0_1666_1333\/master\/1666.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=884ce423457c714b8b3ce791c1ab44b8\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian\",\"datePublished\":\"2026-04-15T14:31:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/\"},\"wordCount\":210,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/1666-f2nZ5q.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/\",\"name\":\"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/1666-f2nZ5q.jpg\",\"datePublished\":\"2026-04-15T14:31:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/1666-f2nZ5q.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/1666-f2nZ5q.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/15\\\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left","og_description":"\u2018I went to this tourist resort in Accra wanting to show how the people who live there fish, play \u2013 and rest. Africans aren\u2019t often portrayed in this way. And the horse pulls it all together!\u2019 This was taken at Labadi, a popular tourist resort in Accra, the capital of Ghana. You don\u2019t often see&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-04-15T14:31:48+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/67c9f69c5c958edd7531d5595119d937a6d05dc1\/167_0_1666_1333\/master\/1666.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=884ce423457c714b8b3ce791c1ab44b8","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian","datePublished":"2026-04-15T14:31:48+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/"},"wordCount":210,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/1666-f2nZ5q.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/","name":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/1666-f2nZ5q.jpg","datePublished":"2026-04-15T14:31:48+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/1666-f2nZ5q.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/1666-f2nZ5q.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/15\/a-ruined-building-five-ghanaians-and-an-elegant-horse-ron-timehins-best-photograph-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"A ruined building, five Ghanaians and an elegant horse: Ron Timehin\u2019s best photograph Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=10122"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10122\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/10123"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=10122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=10122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=10122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}