{"id":10134,"date":"2026-04-16T18:31:07","date_gmt":"2026-04-16T18:31:07","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/16\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\/"},"modified":"2026-04-16T18:31:07","modified_gmt":"2026-04-16T18:31:07","slug":"like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/16\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\/","title":{"rendered":"Like a concrete aircraft carrier: was LA\u2019s giant new $724m gallery really worth all the carbon emissions? Culture | The Guardian"},"content":{"rendered":"<p>Built on tar swamps and two tortuous decades in the making, LACMA\u2019s latest addition used twice as much metal as the Eiffel Tower. How did America supersize revered architect Peter Zumthor?<\/p>\n<p>Driving down the palm-lined strip of Wilshire Boulevard in Los Angeles, a striking new crossing heaves into view. A ribbon of glass leaps over the road, sandwiched between two gigantic planes of concrete. As you get closer, the bridge swells out in sinuous arcs, swooping back on itself to inscribe an amoebic, shape-shifting blob, spreading out like an inkblot. From some angles it has a retro-futuristic air, recalling a Jetsons airport terminal, or one of <a href=\"https:\/\/www.smithsonianmag.com\/history\/googie-architecture-of-the-space-age-122837470\/\">California\u2019s \u201cGoogie\u201d style gas stations<\/a>. From others, the curving roof looks like a great big tongue, flaring out to give the neighbours a raspy lick.<\/p>\n<p> This concrete colossus is home to the new <a href=\"https:\/\/www.theguardian.com\/us-news\/2026\/apr\/15\/los-angeles-art-david-geffen-galleries\">David Geffen Galleries<\/a> of the Los Angeles County Museum of Art (Lacma), a $724m mothership designed by the fabled Swiss architect <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2011\/jun\/19\/architecture-serpentine-pavilion\">Peter Zumthor<\/a>. It is less a museum than a mighty piece of infrastructure, a 110,000 sq ft warehouse-cum-bridge, jacked up nine metres in the air and looming above the street with a brooding, muscular heft. Two decades in the making, and subject to tortuous years of delays, controversies and cost escalations \u2013 building on a tar swamp in a seismic zone is not straightforward \u2013 it finally opens this weekend.<\/p>\n<p>The Fitzcarraldian feat is the brainchild of Michael Govan, who became Lacma\u2019s director in 2006 with an ambition to build a museum like no other, using the promise of a dazzling structure to lure donations of artworks and dollars ($125m came from LA county, the rest was fundraised). Govan cut his teeth at the Guggenheim, and on Frank Gehry\u2019s Bilbao outpost, where he clearly got a taste for the transformative fairy dust of signature architecture. He later moved to Dia:Beacon, in New York\u2019s Hudson Valley, where he commissioned Zumthor for a <a href=\"https:\/\/www.pavlinalucas.com\/1993-2010\/wdm.html\">project that was ultimately unrealised<\/a>. At Lacma, he was determined to make a monument for posterity, at any cost.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/16\/lacma-david-geffen-galleries-peter-zumthor-eiffel-concrete-aircraft-carrier\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/16\/lacma-david-geffen-galleries-peter-zumthor-eiffel-concrete-aircraft-carrier\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/2e27ce7bd1c7af6508a4f68f62ae5f1b3c5e26d7\/240_0_2500_2000\/master\/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7c0aca48283c2689ad4862216c247635\" title=\"Like a concrete aircraft carrier: was LA\u2019s giant new $724m gallery really worth all the carbon emissions?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Built on tar swamps and two tortuous decades in the making, LACMA\u2019s latest addition used twice as much metal as the Eiffel Tower. How did America supersize revered architect Peter Zumthor? Driving down the palm-lined strip of Wilshire Boulevard in Los Angeles, a striking new crossing heaves into view. A ribbon of glass leaps over&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Like a concrete aircraft carrier: was LA\u2019s giant new $724m gallery really worth all the carbon emissions? Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/16\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Like a concrete aircraft carrier: was LA\u2019s giant new $724m gallery really worth all the carbon emissions? Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Built on tar swamps and two tortuous decades in the making, LACMA\u2019s latest addition used twice as much metal as the Eiffel Tower. How did America supersize revered architect Peter Zumthor? Driving down the palm-lined strip of Wilshire Boulevard in Los Angeles, a striking new crossing heaves into view. A ribbon of glass leaps over&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/04\/16\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-16T18:31:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/2e27ce7bd1c7af6508a4f68f62ae5f1b3c5e26d7\/240_0_2500_2000\/master\/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7c0aca48283c2689ad4862216c247635\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/16\\\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/16\\\/like-a-concrete-aircraft-carrier-was-las-giant-new-724m-gallery-really-worth-all-the-carbon-emissions-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Like a concrete aircraft carrier: was LA\u2019s giant new $724m gallery really worth all the carbon emissions? 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