{"id":10172,"date":"2026-04-22T09:31:13","date_gmt":"2026-04-22T09:31:13","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/22\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\/"},"modified":"2026-04-22T09:31:13","modified_gmt":"2026-04-22T09:31:13","slug":"nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/22\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\/","title":{"rendered":"\u2018Nobody knows what works. There\u2019s a lot of panic\u2019: can African pop get back to global success? Culture | The Guardian"},"content":{"rendered":"<p>Tracks by Rema, Burna Boy and more were streaming in the billions, but hits are drying up. Stars and analysts across the African music industry fret about how to change course<\/p>\n<p>In 2016, Afrobeats \u2013 the catchall term for a range of contemporary dance music emerging from west Africa \u2013 began to seep into global pop culture, propelled by intercontinental collaborations such as Wizkid and Drake\u2019s <a href=\"https:\/\/youtu.be\/vqW18C4plZ8\">Come Closer<\/a>. Olabode Otolorin, then a university student, would dispatch optimistic forecasts on the internet about the genre\u2019s future. Nearly a decade on and now a campaign associate at Mavin Records, one of Africa\u2019s leading labels, Otolorin has a more downbeat outlook on Afrobeats. \u201cIt is currently in a perilous state in terms of our exports,\u201d he says.<\/p>\n<p>Otolorin is not alone in this sentiment. Addressing the 200 or so fans gathered at a spruced-up warehouse in Lagos for a recent listening party for his new album, Clarity of Mind, Afrobeats stalwart Omah Lay made a startling but accurate observation. \u201cAfrobeats is declining overseas \u2013 that\u2019s a fact. The sound from 2020 to 2024 isn\u2019t what it is today. I\u2019ve been watching, learning and studying my idols, looking for a way to bring that energy back,\u201d he said pensively.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/apr\/22\/african-pop-panic-global-success-afrobeats-rema-burna-boy\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/apr\/22\/african-pop-panic-global-success-afrobeats-rema-burna-boy\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/6a69674ff5df7cdb105c63e63cab03badb50716b\/1462_796_5052_4042\/master\/5052.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=500bf69bbb159782cf34914a332d2986\" title=\"\u2018Nobody knows what works. There\u2019s a lot of panic\u2019: can African pop get back to global success?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Tracks by Rema, Burna Boy and more were streaming in the billions, but hits are drying up. Stars and analysts across the African music industry fret about how to change course In 2016, Afrobeats \u2013 the catchall term for a range of contemporary dance music emerging from west Africa \u2013 began to seep into global&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Nobody knows what works. There\u2019s a lot of panic\u2019: can African pop get back to global success? Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/22\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Nobody knows what works. There\u2019s a lot of panic\u2019: can African pop get back to global success? Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Tracks by Rema, Burna Boy and more were streaming in the billions, but hits are drying up. Stars and analysts across the African music industry fret about how to change course In 2016, Afrobeats \u2013 the catchall term for a range of contemporary dance music emerging from west Africa \u2013 began to seep into global&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/04\/22\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-22T09:31:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/6a69674ff5df7cdb105c63e63cab03badb50716b\/1462_796_5052_4042\/master\/5052.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=500bf69bbb159782cf34914a332d2986\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/22\\\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/22\\\/nobody-knows-what-works-theres-a-lot-of-panic-can-african-pop-get-back-to-global-success-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"\u2018Nobody knows what works. 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