{"id":10222,"date":"2026-04-24T09:32:39","date_gmt":"2026-04-24T09:32:39","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/24\/you-have-to-reflect-the-language-to-capture-peoples-souls-martina-laird-on-calypso-patois-and-the-rsc-culture-the-guardian\/"},"modified":"2026-04-24T09:32:39","modified_gmt":"2026-04-24T09:32:39","slug":"you-have-to-reflect-the-language-to-capture-peoples-souls-martina-laird-on-calypso-patois-and-the-rsc-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/24\/you-have-to-reflect-the-language-to-capture-peoples-souls-martina-laird-on-calypso-patois-and-the-rsc-culture-the-guardian\/","title":{"rendered":"\u2018You have to reflect the language to capture people\u2019s souls\u2019: Martina Laird on calypso, patois and the RSC Culture | The Guardian"},"content":{"rendered":"<p>The former Casualty actor wrote Driftwood \u2013 a family drama set against the backdrop of Trinidadian independence \u2013 as a private act after reconnecting with her roots. It was like solving a crossword, she says<\/p>\n<p>More than two decades ago, the actor Martina Laird took a trip back to her past. As part of the ensemble on the TV drama Casualty, in which she played paramedic Comfort Jones, she was a household face with a rewarding job, yet she felt stuck in her life. \u201cThings weren\u2019t developing,\u201d she remembers. \u201cI went: \u2018OK, there\u2019s stuff to go and face in the past.\u2019\u201d<\/p>\n<p>She travelled to St Kitts, where she was born, to look for the Black Caribbean mother from whom she had been separated at the age of three, when her white British father took her to live with his family in Trinidad. \u201cIt was a relatively privileged upbringing but there\u2019s always questions. So I went to St Kitts and I met the family that I had not known was there.<strong> <\/strong>I thought that I could keep myself shielded and not let people in but that was not the case. It all had to just crack open. Afterwards, the world seemed to me beautifully upside down. Everything I knew to be feared was loved and everything that was down was up.\u201d<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/apr\/24\/martina-laird-interview-driftwood-rsc-kiln-theatre\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/apr\/24\/martina-laird-interview-driftwood-rsc-kiln-theatre\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/f650b00bb64717a45592aac1d9589863a42b196d\/0_1997_4928_3939\/master\/4928.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=71089f923ced3bad354f0cd252b81c3c\" title=\"\u2018You have to reflect the language to capture people\u2019s souls\u2019: Martina Laird on calypso, patois and the RSC\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The former Casualty actor wrote Driftwood \u2013 a family drama set against the backdrop of Trinidadian independence \u2013 as a private act after reconnecting with her roots. It was like solving a crossword, she says More than two decades ago, the actor Martina Laird took a trip back to her past. As part of the&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018You have to reflect the language to capture people\u2019s souls\u2019: Martina Laird on calypso, patois and the RSC Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/24\/you-have-to-reflect-the-language-to-capture-peoples-souls-martina-laird-on-calypso-patois-and-the-rsc-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018You have to reflect the language to capture people\u2019s souls\u2019: Martina Laird on calypso, patois and the RSC Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"The former Casualty actor wrote Driftwood \u2013 a family drama set against the backdrop of Trinidadian independence \u2013 as a private act after reconnecting with her roots. 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