{"id":10343,"date":"2026-04-28T23:46:47","date_gmt":"2026-04-28T23:46:47","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/"},"modified":"2026-04-28T23:46:47","modified_gmt":"2026-04-28T23:46:47","slug":"zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/","title":{"rendered":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian"},"content":{"rendered":"<p><strong>National Gallery, London<\/strong> <br \/>The 17th-century Spanish master painted with a supernatural intensity that will hit you just as hard as it did his original viewers<\/p>\n<p>The word \u201cvisionary\u201d is done to death but the 17th-century Spanish painter Francisco de Zurbar\u00e1n demands it: he paints supernatural things naturally and natural things supernaturally. Space becomes different in his world, melting distance and erasing the barrier between you and the picture. The very first painting in this dreamlike ecstasy of a show dissolves logic. A monk robed in white kneels before a living man hanging upside down, his hands and feet nailed to an inverted cross: it\u2019s a vision as real and close to us as it is to the awestruck monk, held in a penumbra of bronze fire, a stream of smoky light from heaven.<\/p>\n<p>The Apparition of Saint Peter to Saint Peter Nolasco from 1629 has been lent by the <a href=\"https:\/\/museopradotickets.com\/en\">Prado<\/a> and depicts Nolasco receiving a vision of the original St Peter who asked to be crucified upside down so he would not imitate Christ. Nolasco couldn\u2019t make the pilgrimage to Saint Peter\u2019s shrine in Rome, so the church founder mystically appeared to him at home in Spain. You might think this is sentimental folk art, the stuff of prayer cards. But one thing\u2019s for sure: Zurbar\u00e1n believed it and paints it with such incandescent conviction it becomes sublimely real. You can see why Salvador Dal\u00ed loved this artist and imitated his still lifes and crucifixions: for Zurbar\u00e1n is a primitive surrealist. Several newly attributed paintings in this show include a wall-filling mask of a giant, possibly painted for a stage set: it makes a mockery of proportion yet is beautifully detailed, full of character, weirdly alive.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/29\/zurbaran-review-spanish-master-national-gallery-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/29\/zurbaran-review-spanish-master-national-gallery-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/4d2343f9fb273e309fd0efbc7d24a5effb930c5d\/35_35_2645_2115\/master\/2645.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12783cf364523ae9256c93503ce19773\" title=\"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>National Gallery, London The 17th-century Spanish master painted with a supernatural intensity that will hit you just as hard as it did his original viewers The word \u201cvisionary\u201d is done to death but the 17th-century Spanish painter Francisco de Zurbar\u00e1n demands it: he paints supernatural things naturally and natural things supernaturally. Space becomes different in&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"National Gallery, London The 17th-century Spanish master painted with a supernatural intensity that will hit you just as hard as it did his original viewers The word \u201cvisionary\u201d is done to death but the 17th-century Spanish painter Francisco de Zurbar\u00e1n demands it: he paints supernatural things naturally and natural things supernaturally. Space becomes different in&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-28T23:46:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/4d2343f9fb273e309fd0efbc7d24a5effb930c5d\/35_35_2645_2115\/master\/2645.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12783cf364523ae9256c93503ce19773\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian\",\"datePublished\":\"2026-04-28T23:46:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/\"},\"wordCount\":312,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/2645-xwvtQQ.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/\",\"name\":\"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/2645-xwvtQQ.jpg\",\"datePublished\":\"2026-04-28T23:46:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/2645-xwvtQQ.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/2645-xwvtQQ.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/04\\\/28\\\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left","og_description":"National Gallery, London The 17th-century Spanish master painted with a supernatural intensity that will hit you just as hard as it did his original viewers The word \u201cvisionary\u201d is done to death but the 17th-century Spanish painter Francisco de Zurbar\u00e1n demands it: he paints supernatural things naturally and natural things supernaturally. Space becomes different in&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-04-28T23:46:47+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/4d2343f9fb273e309fd0efbc7d24a5effb930c5d\/35_35_2645_2115\/master\/2645.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12783cf364523ae9256c93503ce19773","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian","datePublished":"2026-04-28T23:46:47+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/"},"wordCount":312,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/2645-xwvtQQ.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/","name":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/2645-xwvtQQ.jpg","datePublished":"2026-04-28T23:46:47+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/2645-xwvtQQ.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/04\/2645-xwvtQQ.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/04\/28\/zurbaran-review-ecstatic-visions-primitive-surrealism-and-the-finest-loincloths-ever-painted-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Zurbar\u00e1n review \u2013 ecstatic visions, primitive surrealism \u2026 and the finest loincloths ever painted Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=10343"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10343\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/10344"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=10343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=10343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=10343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}