{"id":10510,"date":"2026-05-04T16:32:00","date_gmt":"2026-05-04T16:32:00","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/04\/anti-colonialism-sharply-reimagined-for-today-reviews-culture-socialist-worker\/"},"modified":"2026-05-04T16:32:00","modified_gmt":"2026-05-04T16:32:00","slug":"anti-colonialism-sharply-reimagined-for-today-reviews-culture-socialist-worker","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/04\/anti-colonialism-sharply-reimagined-for-today-reviews-culture-socialist-worker\/","title":{"rendered":"Anti-colonialism sharply reimagined for today Reviews &amp; Culture &#8211; Socialist Worker"},"content":{"rendered":"<div class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-176611\" class=\"size-full wp-image-176611\" src=\"https:\/\/socialistworker.co.uk\/wp-content\/uploads\/2026\/05\/Untitled-1.png\" alt=\"Benjamin Voisin as Meursault (Photo: WikipediaCommons)\" width=\"760\" height=\"507\" \/>\n<p class=\"wp-caption-text\">Benjamin Voisin as Meursault (Photo: WikipediaCommons)<\/p>\n<\/div>\n<p>French director Fran\u00e7ois Ozon\u2019s new film brings Albert Camus\u2019 novel The Stranger into the 21st century.<\/p>\n<p>Benjamin Voisin plays main character Meursault as the perfect heartless void. He learns his mother has died and barely shrugs. Not quite stoical, just switched off. Who knew indifference could be portrayed with such depth?<\/p>\n<p>Still set in Algeria during the French Empire, the film sharpens the novel\u2019s colonial rot through a contemporary lens.<\/p>\n<p>In Camus\u2019 1942 original the murdered man is simply \u201cthe Arab\u201d and his sister a complete non-entity. <\/p>\n<p>Here they become Moussa and Djemila, abused and exploited Algerians granted names and glimpses of humanity.<\/p>\n<p>A pointed dialogue between characters Djemila and Marie on racial injustice lands like a slap.<\/p>\n<p>Meursault drifts on, blithely unaware while chatting to a sex worker, shrugging at marriage, watching his neighbour beat his dog and his mate batter his girlfriend.<\/p>\n<p>Meursault has the privilege not to care\u2014until the beach. Here he shoots Moussa \u201cbecause of the sun,\u201d knowing a white could get away with it. <\/p>\n<p>Racist entitlement is dressed up as existential whimsy. Ozon\u2019s film is stunning visually and radiates heat. <\/p>\n<p>It exposes the book\u2019s casual bigotry even as it softens it. Meursault\u2019s execution by a racist system is absurd as colonial justice rarely hanged its own and his final martyr pose is unintentionally comic. The alienated white man is recast as a tragic hero.<\/p>\n<p>This is where the modern parallel bites hardest. Meursault\u2019s chilling detachment mirrors today\u2019s manosphere. Indifferent to violence, entitled, floating above consequences until the system they serve turns on them.<\/p>\n<p>Ozon nails how capitalism breeds this emotional desert of atomised settlers and brutalised natives while also using them as props.<\/p>\n<p>Sharp and quietly furious, the film captures alienation brilliantly but pulls its punch on collective fury.<\/p>\n<p>It is a devastating colonial critique that leaves you just a little fired up.<\/p>\n<p><a href=\"https:\/\/socialistworker.co.uk\/reviews-and-culture\/anti-colonialism-sharply-reimagined-for-today\/\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/socialistworker.co.uk\/wp-content\/uploads\/2026\/05\/Untitled-1.png\" title=\"Anti-colonialism sharply reimagined for today\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Benjamin Voisin as Meursault (Photo: WikipediaCommons) French director Fran\u00e7ois Ozon\u2019s new film brings Albert Camus\u2019 novel The Stranger into the 21st century. Benjamin Voisin plays main character Meursault as the perfect heartless void. He learns his mother has died and barely shrugs. Not quite stoical, just switched off. Who knew indifference could be portrayed with&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anti-colonialism sharply reimagined for today Reviews &amp; Culture - Socialist Worker - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/04\/anti-colonialism-sharply-reimagined-for-today-reviews-culture-socialist-worker\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anti-colonialism sharply reimagined for today Reviews &amp; Culture - Socialist Worker - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Benjamin Voisin as Meursault (Photo: WikipediaCommons) French director Fran\u00e7ois Ozon\u2019s new film brings Albert Camus\u2019 novel The Stranger into the 21st century. 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