{"id":10571,"date":"2026-05-06T14:35:06","date_gmt":"2026-05-06T14:35:06","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/06\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\/"},"modified":"2026-05-06T14:35:06","modified_gmt":"2026-05-06T14:35:06","slug":"peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/06\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\/","title":{"rendered":"Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging Culture | The Guardian"},"content":{"rendered":"<p><strong>Royal Opera House, London<\/strong><br \/>As the tormented fisherman, Allan Clayton currently has few rivals. He is matched by a superb cast in this gripping revival of Britten\u2019s opera<\/p>\n<p>\u2018Who can turn skies back and begin again?\u201d That\u2019s the question the fisherman Peter Grimes asks the universe at the close of his brief aria in Act 1 of Britten\u2019s opera \u2013 two and a half minutes<strong> <\/strong>of singular, breath-holding music, at the end of which the people around him all think he\u2019s mad or drunk, but we the audience know he\u2019s a man apart, who sees more clearly than any of them.<\/p>\n<p>For someone who runs his life by watching those skies, the words are as succinct as they are beautiful \u2013 and there\u2019s a simplicity to the way Allan Clayton sings them that encapsulates the balance of directness and poetry in his Grimes, a role in which he currently has few rivals. Perhaps it also sums up Deborah Warner\u2019s staging, updated to a present-day, left-behind English coastal town, which has an almost workaday realism that feels like an invitation to take everything literally, and yet has touches of the fantastical right from the start. In the prologue, Grimes lies centre-stage reliving in his sleep the nightmare of his court appearance while a fishing boat, suspended from the flies, hangs like the sword of Damocles over his head; in the orchestral interlude that follows this scene, an aerialist tumbles slowly down to be caught by Grimes, again and again.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/06\/britten-peter-grimes-review-royal-opera-deborah-warner-allan-clayton-jakub-hrusa\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/06\/britten-peter-grimes-review-royal-opera-deborah-warner-allan-clayton-jakub-hrusa\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/87bace966835c6a5eea152d2a8917d9a990741e6\/106_0_3266_2613\/master\/3266.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=904f9425119af410f4bed0239ab964e3\" title=\"Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Royal Opera House, LondonAs the tormented fisherman, Allan Clayton currently has few rivals. He is matched by a superb cast in this gripping revival of Britten\u2019s opera \u2018Who can turn skies back and begin again?\u201d That\u2019s the question the fisherman Peter Grimes asks the universe at the close of his brief aria in Act 1&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/06\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Royal Opera House, LondonAs the tormented fisherman, Allan Clayton currently has few rivals. He is matched by a superb cast in this gripping revival of Britten\u2019s opera \u2018Who can turn skies back and begin again?\u201d That\u2019s the question the fisherman Peter Grimes asks the universe at the close of his brief aria in Act 1&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/06\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-06T14:35:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/87bace966835c6a5eea152d2a8917d9a990741e6\/106_0_3266_2613\/master\/3266.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=904f9425119af410f4bed0239ab964e3\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging Culture | The Guardian\",\"datePublished\":\"2026-05-06T14:35:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/\"},\"wordCount\":270,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3266-GoPyY8.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/06\\\/peter-grimes-review-beauty-and-terror-in-warners-topical-staging-culture-the-guardian\\\/\",\"name\":\"Peter Grimes review \u2013 beauty and terror in Warner\u2019s topical staging Culture | The Guardian - 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