{"id":10589,"date":"2026-05-07T12:38:48","date_gmt":"2026-05-07T12:38:48","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/07\/aldous-harding-train-on-the-island-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/"},"modified":"2026-05-07T12:38:48","modified_gmt":"2026-05-07T12:38:48","slug":"aldous-harding-train-on-the-island-review-alexis-petridiss-album-of-the-week-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/07\/aldous-harding-train-on-the-island-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/","title":{"rendered":"Aldous Harding: Train on the Island review | Alexis Petridis’s album of the week Culture | The Guardian"},"content":{"rendered":"

(4AD)<\/strong>
Lyrics about naked owls and eating rocks might be irksome to some \u2013 but there\u2019s no denying that the alt-rocker\u2019s fifth album is beguiling, tightly written and richly melodic<\/p>\n

Aldous Harding cuts a divisive figure in the world of alt-rock. To her devotees \u2013 and there are enough of them to warrant her playing three nights at London\u2019s Barbican<\/a> later this month \u2013 she is a strange and endlessly fascinating figure. Her lyrics are mysteries to be unpicked for deeper meaning, like dreams awaiting analysis. On Train on the Island, her fifth album, you\u2019re invited to make some kind of sense of stuff about naked owls, having your face covered with bechamel sauce, seeing \u201cthe real John Cale\u201d silently eating rice, \u201cSicilians reaching over the clams\u201d, and the imponderable lines: \u201cI\u2019m saving myself by eating rocks and plants \/ I pray for the incel.\u201d<\/p>\n

The curious album covers; the uneasy stage presence and between-song non-sequiturs; the weird costumes; the videos filled with her pulling faces and engaging in awkward choreography; the preponderance of mannered vocal tics and funny accents when she sings, noticeable on Train on the Island\u2019s Worms (vaguely Gallic vowel-stretching) and closer Coats<\/a> (strangulated girlish voice); the halting, elliptical interviews: for fans, this is evidence of true originality in a cookie-cutter era.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(4AD)Lyrics about naked owls and eating rocks might be irksome to some \u2013 but there\u2019s no denying that the alt-rocker\u2019s fifth album is beguiling, tightly written and richly melodic Aldous Harding cuts a divisive figure in the world of alt-rock. To her devotees \u2013 and there are enough of them to warrant her playing three...<\/p>\n","protected":false},"author":1,"featured_media":10590,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nAldous Harding: Train on the Island review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/07\/aldous-harding-train-on-the-island-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aldous Harding: Train on the Island review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(4AD)Lyrics about naked owls and eating rocks might be irksome to some \u2013 but there\u2019s no denying that the alt-rocker\u2019s fifth album is beguiling, tightly written and richly melodic Aldous Harding cuts a divisive figure in the world of alt-rock. 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