{"id":10622,"date":"2026-05-08T10:13:19","date_gmt":"2026-05-08T10:13:19","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/"},"modified":"2026-05-08T10:13:19","modified_gmt":"2026-05-08T10:13:19","slug":"olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/","title":{"rendered":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian"},"content":{"rendered":"

(DH2)
<\/strong>On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray<\/p>\n

Swedish producer Olof Dreijer is best known for projects with his sibling Karin: namely their duo the Knife, plus Karin\u2019s solo act Fever Ray<\/a>, with whom he created four brilliant tracks on 2023 album Radical Romantics. For all that his beats on these records often had African-Caribbean-Latin syncopation, they also had a Scandinavian winter gloom.<\/p>\n

Conversely, his debut solo album seems to crane upwards towards sunlight like flowers \u2013 and each of the tracks has a floral name. Dance heads will already be familiar with some of them (having appeared on EPs stretching back to 2023) but together they show quite how distinctive Dreijer\u2019s own musical accent is: you can tell it\u2019s him sometimes from just half a second of music.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(DH2)On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray Swedish producer Olof Dreijer is best known for projects with his sibling Karin: namely their duo the Knife, plus Karin\u2019s solo act Fever Ray, with whom he created four brilliant tracks...<\/p>\n","protected":false},"author":1,"featured_media":10623,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nOlof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(DH2)On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray Swedish producer Olof Dreijer is best known for projects with his sibling Karin: namely their duo the Knife, plus Karin\u2019s solo act Fever Ray, with whom he created four brilliant tracks...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-08T10:13:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/14a610ee55ac1a878cec8593214f4cbaab128f96\/362_1068_2400_1920\/master\/2400.jpg?width=140&quality=85&auto=format&fit=max&s=55679a762c8e1c3baeaf4133fb633bde\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian\",\"datePublished\":\"2026-05-08T10:13:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/\"},\"wordCount\":171,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/2400-a6Xh7B.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/\",\"name\":\"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/2400-a6Xh7B.jpg\",\"datePublished\":\"2026-05-08T10:13:19+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/2400-a6Xh7B.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/2400-a6Xh7B.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/08\\\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left","og_description":"(DH2)On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray Swedish producer Olof Dreijer is best known for projects with his sibling Karin: namely their duo the Knife, plus Karin\u2019s solo act Fever Ray, with whom he created four brilliant tracks...","og_url":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-05-08T10:13:19+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/14a610ee55ac1a878cec8593214f4cbaab128f96\/362_1068_2400_1920\/master\/2400.jpg?width=140&quality=85&auto=format&fit=max&s=55679a762c8e1c3baeaf4133fb633bde","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian","datePublished":"2026-05-08T10:13:19+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/"},"wordCount":171,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/05\/2400-a6Xh7B.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/","name":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/05\/2400-a6Xh7B.jpg","datePublished":"2026-05-08T10:13:19+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/05\/2400-a6Xh7B.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/05\/2400-a6Xh7B.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/05\/08\/olof-dreijer-loud-bloom-review-the-knife-stars-debut-solo-album-is-a-garden-of-earthly-delights-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Olof Dreijer: Loud Bloom review \u2013 the Knife star\u2019s debut solo album is a garden of earthly delights Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=10622"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/10622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/10623"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=10622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=10622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=10622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}