{"id":10673,"date":"2026-05-10T09:32:52","date_gmt":"2026-05-10T09:32:52","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/10\/my-dad-cannot-see-me-on-stage-doing-this-will-the-stigma-around-boys-who-dance-ever-shift-culture-the-guardian\/"},"modified":"2026-05-10T09:32:52","modified_gmt":"2026-05-10T09:32:52","slug":"my-dad-cannot-see-me-on-stage-doing-this-will-the-stigma-around-boys-who-dance-ever-shift-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/10\/my-dad-cannot-see-me-on-stage-doing-this-will-the-stigma-around-boys-who-dance-ever-shift-culture-the-guardian\/","title":{"rendered":"\u2018My dad cannot see me on stage doing this\u2019: will the stigma around boys who dance ever shift? Culture | The Guardian"},"content":{"rendered":"<p>As the pioneering BalletBoyz company celebrates its 25th anniversary and Billy Elliott returns to the stage, the male dance landscape appears transformed from where it was at the turn of the century. But a certain macho dismissiveness remains \u2026<\/p>\n<p>\u201cWe always thought BalletBoyz was a really stupid name. We wanted <em>not<\/em> to be <a href=\"https:\/\/www.theguardian.com\/stage\/balletboyz\">BalletBoyz<\/a>.\u201d says William Trevitt, founder of the company called, guess what, BalletBoyz. It was the BBC that landed them with that tag, when then-Royal Ballet dancers Trevitt and Michael Nunn made a cheeky and revealing backstage documentary at London\u2019s Royal Opera House. Their knockabout, laddish charm won them fans, and when they went on to found their own company, first the two of them, later expanded to 10 men, the name stuck. It does carry a slight hint of the Chippendales about it. \u201cWe had a theatre manager coming and saying: \u2018Could you ask the dancers to take their shirts off in the second act?\u2019\u201d remembers Trevitt. Which may say something about the expectations of a group of men dancing.<\/p>\n<p> BalletBoyz is heading out on <a href=\"https:\/\/www.balletboyz.com\/booknow\">tour this month<\/a> to celebrate its 25th anniversary. In those two-and-a-half decades, Nunn and Trevitt have done a lot for the image of men dancing (they have had women in their shows over the years, too, it must be said). It was never their intention to make a statement, it was always just about great dance, but still, here were two straight men who danced together \u2013 and later a whole company of young men \u2013 and commissioned a new repertoire that wasn\u2019t about romantic partnering, but \u201ctwo matching energies and exploring the balance between them\u201d, as Trevitt puts it.<\/p>\n<p> Around the same time Nunn and Trevitt were making their video diaries, another iconic male dancer\u00a0spun into view. The film Billy Elliot came out in 2000, the story of the miner\u2019s son who wanted to dance, and by the moving final scene was leaping into choreographer Matthew Bourne\u2019s pioneering Swan Lake with its cast of all-male swans. The film was turned into a multi-award-winning musical that\u2019s still going strong, with a new national tour opening this autumn.<\/p>\n<p>It seemed like a moment where the image and profile of male dancers was changing \u2013 the so-called \u201cBilly Elliot effect\u201d \u2013 with rumours that one year more boys than girls auditioned for the Royal Ballet School. It feels as though in 2026 we\u2019re living in a culturally different time to the turn of the millennium, especially when it comes to expectations of gender, so have attitudes to boys and men dancing completely changed?<\/p>\n<p> \u201cIt\u2019s cool to dance now, isn\u2019t it,\u201d says Layton Williams, who was the ninth Billy Elliot on stage, and more recently a runner-up on Strictly with pro partner Nikita Kuzmin. \u201cMy nephew is dancing on TikTok with his mates, and he\u2019s a proper lad.\u201d<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/may\/10\/balletboyz-billy-elliot-ashley-banjo-diversity-male-dance\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/may\/10\/balletboyz-billy-elliot-ashley-banjo-diversity-male-dance\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/68aa496f96631cef15aa6aa35f6f357d38ebc0d7\/138_18_5501_4401\/master\/5501.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c11e5e38b0b695a2079ead549db2de74\" title=\"\u2018My dad cannot see me on stage doing this\u2019: will the stigma around boys who dance ever shift?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>As the pioneering BalletBoyz company celebrates its 25th anniversary and Billy Elliott returns to the stage, the male dance landscape appears transformed from where it was at the turn of the century. But a certain macho dismissiveness remains \u2026 \u201cWe always thought BalletBoyz was a really stupid name. We wanted not to be BalletBoyz.\u201d says&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018My dad cannot see me on stage doing this\u2019: will the stigma around boys who dance ever shift? 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