{"id":10765,"date":"2026-05-13T13:32:27","date_gmt":"2026-05-13T13:32:27","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/13\/angels-bone-review-frenetic-and-unsettling-allegory-of-human-trafficking-marks-enos-manchester-debut-culture-the-guardian\/"},"modified":"2026-05-13T13:32:27","modified_gmt":"2026-05-13T13:32:27","slug":"angels-bone-review-frenetic-and-unsettling-allegory-of-human-trafficking-marks-enos-manchester-debut-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/13\/angels-bone-review-frenetic-and-unsettling-allegory-of-human-trafficking-marks-enos-manchester-debut-culture-the-guardian\/","title":{"rendered":"Angel\u2019s Bone review \u2013 frenetic and unsettling allegory of human trafficking marks ENO\u2019s Manchester debut Culture | The Guardian"},"content":{"rendered":"<p><strong>Aviva Studios, Manchester<\/strong> <br \/>Kip Williams\u2019 in-the-round staging, with the action live-projected onto enormous screens, can be disorientating, but Du Yun\u2019s Pulitzer-winning work is compelling and kaleidoscopic<\/p>\n<p>English National Opera<a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/11\/behind-the-scenes-angels-bone-eno-manchester-debut\"> takes a bold leap<\/a>, selecting one of the most uncompromising pieces of 21st-century music theatre for the first new opera staged in its northern base. Du Yun\u2019s Angel\u2019s Bone, which won the Chinese American composer the 2017 Pulitzer prize, tackles human trafficking head on in an allegorical tale of two angels that fall \u2013 literally \u2013 into the clutches of a dysfunctional couple who hesitate for all of five minutes before deciding to mutilate and exploit them.<\/p>\n<p>For this inaugural production, a collaboration with Factory International and the BBC Philharmonic Orchestra, they have recruited Kip Williams whose <a href=\"https:\/\/www.theguardian.com\/stage\/2024\/feb\/15\/the-picture-of-dorian-gray-review-sarah-snook-succession\">The Picture of Dorian Gray<\/a> dazzled the West End and Broadway. The innovative Australian director employs his breathless technical wizardry to fashion a dizzying in-the-round staging.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/13\/angels-bone-review-du-yun-kip-williams-english-national-opera-aviva-studios-manchster\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/13\/angels-bone-review-du-yun-kip-williams-english-national-opera-aviva-studios-manchster\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/bbccc50f0aece7587522adad856ac01ff9c181f0\/860_375_3100_2479\/master\/3100.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=67fa93fc5b03f2a5f8431dfcc7b1c170\" title=\"Angel\u2019s Bone review \u2013 frenetic and unsettling allegory of human trafficking marks ENO\u2019s Manchester debut\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Aviva Studios, Manchester Kip Williams\u2019 in-the-round staging, with the action live-projected onto enormous screens, can be disorientating, but Du Yun\u2019s Pulitzer-winning work is compelling and kaleidoscopic English National Opera takes a bold leap, selecting one of the most uncompromising pieces of 21st-century music theatre for the first new opera staged in its northern base. Du&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Angel\u2019s Bone review \u2013 frenetic and unsettling allegory of human trafficking marks ENO\u2019s Manchester debut Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/13\/angels-bone-review-frenetic-and-unsettling-allegory-of-human-trafficking-marks-enos-manchester-debut-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angel\u2019s Bone review \u2013 frenetic and unsettling allegory of human trafficking marks ENO\u2019s Manchester debut Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Aviva Studios, Manchester Kip Williams\u2019 in-the-round staging, with the action live-projected onto enormous screens, can be disorientating, but Du Yun\u2019s Pulitzer-winning work is compelling and kaleidoscopic English National Opera takes a bold leap, selecting one of the most uncompromising pieces of 21st-century music theatre for the first new opera staged in its northern base. 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