{"id":10807,"date":"2026-05-14T17:31:15","date_gmt":"2026-05-14T17:31:15","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/14\/fatherland-review-sandra-huller-brings-a-bayonet-of-intelligence-to-pawel-pawlikowskis-taut-return-culture-the-guardian\/"},"modified":"2026-05-14T17:31:15","modified_gmt":"2026-05-14T17:31:15","slug":"fatherland-review-sandra-huller-brings-a-bayonet-of-intelligence-to-pawel-pawlikowskis-taut-return-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/14\/fatherland-review-sandra-huller-brings-a-bayonet-of-intelligence-to-pawel-pawlikowskis-taut-return-culture-the-guardian\/","title":{"rendered":"Fatherland review \u2013 Sandra H\u00fcller brings a bayonet of intelligence to Pawe\u0142 Pawlikowski\u2019s taut return Culture | The Guardian"},"content":{"rendered":"<p><strong>Cannes film festival: <\/strong>Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary H\u00fcller<\/p>\n<p>Here is an impossibly elegant, poised historical vignette whose brevity and control can hardly contain its characters\u2019 personal and historical pain. It is directed and co-written by the Polish film-maker Pawe\u0142 Pawlikowski and shot in lustrous monochrome by Lukasz Zal; it is a film about exile and betrayal, the impossibility of going home and of reconciling an artist\u2019s children to their secondary importance.<\/p>\n<p>The setting is 1949 and the celebrated German novelist and Nobel laureate Thomas Mann \u2013 who fled the Nazis before the war for California exile and US citizenship \u2013 has returned home, first visiting Frankfurt (now in West Germany) to receive an award named after Goethe, whose birthplace this is. It is Goethe\u2019s enlightened civilised wisdom and apolitical artistry Mann will pointedly evoke in his many elaborate speeches.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/may\/14\/fatherland-review-sandra-huller-thomas-mann-pawel-pawlikowski-cannes-film-festivali\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/may\/14\/fatherland-review-sandra-huller-thomas-mann-pawel-pawlikowski-cannes-film-festivali\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/c634079f14def5b226501d12820227ed17195d8a\/1341_205_5172_4137\/master\/5172.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a0b6eb2a43577d12c249d508ebe0f64f\" title=\"Fatherland review \u2013 Sandra H\u00fcller brings a bayonet of intelligence to Pawe\u0142 Pawlikowski\u2019s taut return\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary H\u00fcller Here is an impossibly elegant, poised historical vignette whose brevity and control can hardly contain its characters\u2019 personal and historical pain. It is directed and co-written&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fatherland review \u2013 Sandra H\u00fcller brings a bayonet of intelligence to Pawe\u0142 Pawlikowski\u2019s taut return Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/14\/fatherland-review-sandra-huller-brings-a-bayonet-of-intelligence-to-pawel-pawlikowskis-taut-return-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fatherland review \u2013 Sandra H\u00fcller brings a bayonet of intelligence to Pawe\u0142 Pawlikowski\u2019s taut return Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary H\u00fcller Here is an impossibly elegant, poised historical vignette whose brevity and control can hardly contain its characters\u2019 personal and historical pain. 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