{"id":10854,"date":"2026-05-16T18:31:39","date_gmt":"2026-05-16T18:31:39","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\/"},"modified":"2026-05-16T18:31:39","modified_gmt":"2026-05-16T18:31:39","slug":"the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\/","title":{"rendered":"The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian"},"content":{"rendered":"<p><strong>Cannes film festival:<\/strong> This tremendously alarming drama from Rodrigo Sorogoyen is an meditation on male auteurs entirely without sentimentality<\/p>\n<p>Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker <a href=\"https:\/\/www.theguardian.com\/film\/2023\/mar\/22\/the-beasts-review-unsettling-rural-noir-is-a-euro-arthouse-twist-on-straw-dogs\">The Beasts<\/a>.<\/p>\n<p>It\u2019s a film about a film-shoot \u2013 often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Pawe\u0142 Pawlikowski\u2019s <a href=\"https:\/\/www.theguardian.com\/stage\/2025\/nov\/09\/fatherland-review-hampstead-theatre-london\">Fatherland<\/a>, this year could be the Cannes of father-daughter dysfunction.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/may\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/may\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/16bfcd7ad602b3f15b404a7346030b3fa6521302\/718_220_1767_1413\/master\/1767.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=78d18ed671a3fd0b5403bd6f8eb693f2\" title=\"The Beloved review: Javier Bardem turns in a career-scariest performance\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is an meditation on male auteurs entirely without sentimentality Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts. It\u2019s a film&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is an meditation on male auteurs entirely without sentimentality Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts. It\u2019s a film&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/16\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-16T18:31:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/16bfcd7ad602b3f15b404a7346030b3fa6521302\/718_220_1767_1413\/master\/1767.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=78d18ed671a3fd0b5403bd6f8eb693f2\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian\",\"datePublished\":\"2026-05-16T18:31:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/\"},\"wordCount\":109,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/1767-6iE42d.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/16\\\/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance-culture-the-guardian\\\/\",\"name\":\"The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian - 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