{"id":10925,"date":"2026-05-19T13:34:27","date_gmt":"2026-05-19T13:34:27","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/19\/kraftwerk-review-after-more-than-half-a-century-of-techno-supremacy-they-still-sound-like-the-future-culture-the-guardian\/"},"modified":"2026-05-19T13:34:27","modified_gmt":"2026-05-19T13:34:27","slug":"kraftwerk-review-after-more-than-half-a-century-of-techno-supremacy-they-still-sound-like-the-future-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/19\/kraftwerk-review-after-more-than-half-a-century-of-techno-supremacy-they-still-sound-like-the-future-culture-the-guardian\/","title":{"rendered":"Kraftwerk review \u2013 after more than half a century of techno supremacy, they still sound like the future Culture | The Guardian"},"content":{"rendered":"<p><strong>Waterfront Hall, Belfast<\/strong><br \/>Ralf Hutter and his bandmates show how profound their influence has been on huge swathes of popular music \u2013 and they give a tender tribute to the late Ryuichi Sakamoto<\/p>\n<p>Forty-five years ago this month, Kraftwerk released Computer World, an album addressed to a world that hadn\u2019t been built yet. Tonight in Belfast, Ralf H\u00fctter and his bandmates open with three songs from it: Numbers, the title track, Computer World 2 \u2013 body-popping electro that the next few decades of music tried to live up to.<\/p>\n<p>The opening seconds of Numbers catch oddly: a familiar pause stretching too long, then steadied, then not another slip all night. Fifty-five years since the band formed, the machines still need their man. H\u00fctter, 79 and the last original member since Florian Schneider\u2019s departure in 2008, is more animated than legend has it \u2013 a bobbing left leg betraying what the face won\u2019t \u2013 feeding melodies into a system he built before most of pop knew what a synthesiser was. Lit from below, Henning Schmitz, Falk Grieffenhagen and Georg Bongartz flank him at lectern-like consoles, as pre-internet polygons and cascading numerals tower behind them.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/19\/kraftwerk-review-waterfront-hall-belfast\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/19\/kraftwerk-review-waterfront-hall-belfast\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/b88f40126b2d14739bb510c1010802e1f567d69a\/688_0_6880_5504\/master\/6880.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7a86ed47821eadd1f5d9dea571c97af6\" title=\"Kraftwerk review \u2013 after more than half a century of techno supremacy, they still sound like the future\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Waterfront Hall, BelfastRalf Hutter and his bandmates show how profound their influence has been on huge swathes of popular music \u2013 and they give a tender tribute to the late Ryuichi Sakamoto Forty-five years ago this month, Kraftwerk released Computer World, an album addressed to a world that hadn\u2019t been built yet. Tonight in Belfast,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":10926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kraftwerk review \u2013 after more than half a century of techno supremacy, they still sound like the future Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/19\/kraftwerk-review-after-more-than-half-a-century-of-techno-supremacy-they-still-sound-like-the-future-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kraftwerk review \u2013 after more than half a century of techno supremacy, they still sound like the future Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Waterfront Hall, BelfastRalf Hutter and his bandmates show how profound their influence has been on huge swathes of popular music \u2013 and they give a tender tribute to the late Ryuichi Sakamoto Forty-five years ago this month, Kraftwerk released Computer World, an album addressed to a world that hadn\u2019t been built yet. 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