{"id":11020,"date":"2026-05-22T09:37:48","date_gmt":"2026-05-22T09:37:48","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/22\/miles-davis-ascenseur-pour-lechafaud-review-harmonic-openness-for-louis-malles-haunting-noir-thriller-culture-the-guardian\/"},"modified":"2026-05-22T09:37:48","modified_gmt":"2026-05-22T09:37:48","slug":"miles-davis-ascenseur-pour-lechafaud-review-harmonic-openness-for-louis-malles-haunting-noir-thriller-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/22\/miles-davis-ascenseur-pour-lechafaud-review-harmonic-openness-for-louis-malles-haunting-noir-thriller-culture-the-guardian\/","title":{"rendered":"Miles Davis: Ascenseur pour l\u2019\u00c9chafaud review \u2013 harmonic openness for Louis Malle\u2019s haunting noir thriller Culture | The Guardian"},"content":{"rendered":"<p><strong>(Decca France)<\/strong><br \/>The trumpeter\u2019s improvised soundtrack for the new wave director\u2019s 1957 film still glows with sensuality, tension and nocturnal beauty in this lavish reissue<\/p>\n<p>When Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player, who this writer would frequently hear practising graceful classical phrases, began playing homages to Miles\u2019 voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music.<\/p>\n<p>This month marks Miles\u2019s centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the \u201cPicasso of jazz\u201d for the many styles he explored. A standout this month is his 1957 movie soundtrack Ascenseur pour l\u2019\u00c9chafaud \u2013 now repackaged on vinyl and CD with restored audio, beautiful photographs and revealing essays.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/22\/miles-davis-ascenseur-pour-lechafaud-review-decca\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/22\/miles-davis-ascenseur-pour-lechafaud-review-decca\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/7edb4f48830adbb29ae6ba954c32c65009b57cb1\/0_900_4912_3927\/master\/4912.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9a983a4f8ced0a65d8d75d72b23be52b\" title=\"Miles Davis: Ascenseur pour l\u2019\u00c9chafaud review \u2013 harmonic openness for Louis Malle\u2019s haunting noir thriller\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>(Decca France)The trumpeter\u2019s improvised soundtrack for the new wave director\u2019s 1957 film still glows with sensuality, tension and nocturnal beauty in this lavish reissue When Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player, who this writer would frequently hear practising graceful classical phrases, began playing homages to Miles\u2019 voice-like, blues-inflected melodies&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miles Davis: Ascenseur pour l\u2019\u00c9chafaud review \u2013 harmonic openness for Louis Malle\u2019s haunting noir thriller Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/22\/miles-davis-ascenseur-pour-lechafaud-review-harmonic-openness-for-louis-malles-haunting-noir-thriller-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miles Davis: Ascenseur pour l\u2019\u00c9chafaud review \u2013 harmonic openness for Louis Malle\u2019s haunting noir thriller Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Decca France)The trumpeter\u2019s improvised soundtrack for the new wave director\u2019s 1957 film still glows with sensuality, tension and nocturnal beauty in this lavish reissue When Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player, who this writer would frequently hear practising graceful classical phrases, began playing homages to Miles\u2019 voice-like, blues-inflected melodies&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/22\/miles-davis-ascenseur-pour-lechafaud-review-harmonic-openness-for-louis-malles-haunting-noir-thriller-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-22T09:37:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/7edb4f48830adbb29ae6ba954c32c65009b57cb1\/0_900_4912_3927\/master\/4912.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9a983a4f8ced0a65d8d75d72b23be52b\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" 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