{"id":11045,"date":"2026-05-23T06:40:25","date_gmt":"2026-05-23T06:40:25","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/23\/boards-of-canada-inferno-review-after-13-years-away-their-prodigal-return-is-a-big-disappointment-culture-the-guardian\/"},"modified":"2026-05-23T06:40:25","modified_gmt":"2026-05-23T06:40:25","slug":"boards-of-canada-inferno-review-after-13-years-away-their-prodigal-return-is-a-big-disappointment-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/23\/boards-of-canada-inferno-review-after-13-years-away-their-prodigal-return-is-a-big-disappointment-culture-the-guardian\/","title":{"rendered":"Boards of Canada: Inferno review \u2013 after 13 years away, their prodigal return is a big disappointment Culture | The Guardian"},"content":{"rendered":"<p><strong>(Warp)<br \/><\/strong>The Scottish electronic duo remain hugely influential \u2013 but their new album\u2019s interrogation of religion is dubious, and the drum programming is worse still<\/p>\n<p>This is the first album in 13 years from Boards of Canada, and from the opening notes \u2013 an analogue synth rising and falling like a sound effect in a forgotten 1960s radio play \u2013 you\u2019re thrust back into one of the most instantly recognisable worlds in electronic music.<\/p>\n<p>From 1995 debut EP Twoism onward, across four LPs and four more EPs, the Scottish duo \u2013 brothers Mike Sandison and Marcus Eoin \u2013 used the heavy gait of classic hip-hop beats to trudge through spectral ambient vistas, like spacemen sent through a time portal while still being tethered to the present. By grabbing samples from old public television and other vintage sources, they looked back at the utopian promise of the mid-20th century, while teasing out the latent kitsch and creepiness of these sounds.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/23\/boards-of-canada-inferno-review-after-13-years-away-their-prodigal-return-is-a-big-disappointment\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/23\/boards-of-canada-inferno-review-after-13-years-away-their-prodigal-return-is-a-big-disappointment\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/4ec40924d8cbb57049b243f1829ee100eaf25075\/971_0_4196_3358\/master\/4196.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1679bb7e0f6740e2f2dab3627c585eae\" title=\"Boards of Canada: Inferno review \u2013 after 13 years away, their prodigal return is a big disappointment\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>(Warp)The Scottish electronic duo remain hugely influential \u2013 but their new album\u2019s interrogation of religion is dubious, and the drum programming is worse still This is the first album in 13 years from Boards of Canada, and from the opening notes \u2013 an analogue synth rising and falling like a sound effect in a forgotten&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11046,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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