{"id":11097,"date":"2026-05-25T13:55:11","date_gmt":"2026-05-25T13:55:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/25\/paul-mccartney-the-boys-of-dungeon-lane-review-at-83-his-gift-for-melody-still-astounds-culture-the-guardian\/"},"modified":"2026-05-25T13:55:11","modified_gmt":"2026-05-25T13:55:11","slug":"paul-mccartney-the-boys-of-dungeon-lane-review-at-83-his-gift-for-melody-still-astounds-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/25\/paul-mccartney-the-boys-of-dungeon-lane-review-at-83-his-gift-for-melody-still-astounds-culture-the-guardian\/","title":{"rendered":"Paul McCartney: The Boys of Dungeon Lane review \u2013 at 83, his gift for melody still astounds Culture | The Guardian"},"content":{"rendered":"

(MPL\/Capitol)
<\/strong>From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master\u2019s finesse<\/p>\n

The rock legend in the autumn of their years who chooses to release a new album is well advised to get themselves an angle. If the music that made you legendary was written and recorded long ago \u2013 and is highly unlikely to be displaced in the public\u2019s affections by anything you do now \u2013 it\u2019s good to have something that suggests a sense of purpose, beyond just adding to an already vast back catalogue for the sake of it.<\/p>\n

We\u2019ve recently seen it with Bob Dylan\u2019s Rough and Rowdy Ways<\/a>, rooted in its jawdropping 17-minute survey of American political history, Murder Most Foul; and with Bruce Springsteen\u2019s Only the Strong Survive<\/a>, with its canny covers of soul and R&B classics. And an angle is clearly something that has occurred to Paul McCartney, too. From its title referencing a road in the suburb of Liverpool where McCartney spent his early childhood, to the circumstances of its launch \u2013 the first single Days We Left Behind<\/a> was premiered not on YouTube or Spotify but BBC Radio Merseyside \u2013 his 27th studio album has been presented as a nostalgic look back at what you might call his pre-Fab years.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(MPL\/Capitol)From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master\u2019s finesse The rock legend in the autumn of their years who chooses to release a new album is well advised to get themselves an angle. If the music that made you legendary was...<\/p>\n","protected":false},"author":1,"featured_media":11098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nPaul McCartney: The Boys of Dungeon Lane review \u2013 at 83, his gift for melody still astounds Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/25\/paul-mccartney-the-boys-of-dungeon-lane-review-at-83-his-gift-for-melody-still-astounds-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paul McCartney: The Boys of Dungeon Lane review \u2013 at 83, his gift for melody still astounds Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(MPL\/Capitol)From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master\u2019s finesse The rock legend in the autumn of their years who chooses to release a new album is well advised to get themselves an angle. 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