{"id":11165,"date":"2026-05-28T10:43:10","date_gmt":"2026-05-28T10:43:10","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/were-waiting-for-the-plan-to-find-us-mouse-on-mars-on-working-with-lee-scratch-perry-and-30-years-of-oblique-adventures-in-sound-culture-the-guardian\/"},"modified":"2026-05-28T10:43:10","modified_gmt":"2026-05-28T10:43:10","slug":"were-waiting-for-the-plan-to-find-us-mouse-on-mars-on-working-with-lee-scratch-perry-and-30-years-of-oblique-adventures-in-sound-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/were-waiting-for-the-plan-to-find-us-mouse-on-mars-on-working-with-lee-scratch-perry-and-30-years-of-oblique-adventures-in-sound-culture-the-guardian\/","title":{"rendered":"\u2018We\u2019re waiting for the plan to find us\u2019: Mouse on Mars on working with Lee \u2018Scratch\u2019 Perry and 30 years of oblique adventures in sound Culture | The Guardian"},"content":{"rendered":"<p>The German duo are returning with the results of their whirlwind session with the late dub legend, best heard in a \u2018spatial audio\u2019 installation. They explain why such an unexpected move is par for their artistic course<\/p>\n<p>Interviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though their current studio is hidden in a courtyard deep in Berlin\u2019s Kreuzberg district. Nor because they continue to be notoriously busy, particularly since one half of the band, Jan St Werner (born Jan Stephan Werner), is now a professor in pop music, at the Folkwang University of the Arts in the western German city of Essen. No, a conversation with Mouse on Mars is an exercise in perseverance and endurance.<\/p>\n<p>Which does not mean it is unpleasurable to chat with Andi Toma and St Werner, as well as their unofficial member and longtime collaborator, the percussionist Dodo NKishi. But any answer to a question may end up somewhere entirely different than originally intended, spanning from the quality of the fruit juice NKishi brought to the studio, to esoteric, tech-optimist digressions on the possibility of forensic resynthesising of the past through archival audio.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/28\/mouse-on-mars\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/28\/mouse-on-mars\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/a4cb3534230147eff9475ac104c6781c86de5e92\/172_0_2149_1719\/master\/2149.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e349a92e1e2a8cebf137dbcc3b50fab7\" title=\"\u2018We\u2019re waiting for the plan to find us\u2019: Mouse on Mars on working with Lee \u2018Scratch\u2019 Perry and 30 years of oblique adventures in sound\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The German duo are returning with the results of their whirlwind session with the late dub legend, best heard in a \u2018spatial audio\u2019 installation. They explain why such an unexpected move is par for their artistic course Interviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018We\u2019re waiting for the plan to find us\u2019: Mouse on Mars on working with Lee \u2018Scratch\u2019 Perry and 30 years of oblique adventures in sound Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/were-waiting-for-the-plan-to-find-us-mouse-on-mars-on-working-with-lee-scratch-perry-and-30-years-of-oblique-adventures-in-sound-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We\u2019re waiting for the plan to find us\u2019: Mouse on Mars on working with Lee \u2018Scratch\u2019 Perry and 30 years of oblique adventures in sound Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"The German duo are returning with the results of their whirlwind session with the late dub legend, best heard in a \u2018spatial audio\u2019 installation. They explain why such an unexpected move is par for their artistic course Interviewing Mouse on Mars is no easy feat. 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