{"id":11175,"date":"2026-05-28T12:45:37","date_gmt":"2026-05-28T12:45:37","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/iceage-for-love-of-grace-the-hereafter-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/"},"modified":"2026-05-28T12:45:37","modified_gmt":"2026-05-28T12:45:37","slug":"iceage-for-love-of-grace-the-hereafter-review-alexis-petridiss-album-of-the-week-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/iceage-for-love-of-grace-the-hereafter-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/","title":{"rendered":"Iceage: For Love of Grace & the Hereafter review | Alexis Petridis’s album of the week Culture | The Guardian"},"content":{"rendered":"

(Mexican Summer)
<\/strong>The quintet add shoegaze, country and 50s rock\u2019n\u2019roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music<\/p>\n

Iceage have always seemed like a band in a state of constant development. You might say that\u2019s understandable, given the Danish musicians were in their teens when their debut album New Brigade<\/a> was released in 2011: if you don\u2019t change between the age of 18 and your early 30s, you\u2019re probably in trouble. But rock music isn\u2019t real life, and a less adventurous band might have been minded to stick with a good thing, given the reception New Brigade was afforded. Twenty-four minutes of hardcore blended with noisy Birthday Party-esque post-punk and a sizeable pinch of gothic gloom, it was praised so vociferously that the praise itself provoked heated debate, as claims any one band are the \u201csaviours\u201d of an entire genre are wont to do, particularly when said genre is punk.<\/p>\n

Iceage seemed entirely unbothered about any ensuing weight of expectation. If they didn\u2019t exactly sound like a completely different band on 2014\u2019s Plowing Into the Field of Love<\/a>, they were still doing things you would never have imagined the authors of New Brigade doing: piano ballads, country-rock and, on Abundant Living, attempting to join the dots between Howlin\u2019 Wolf\u2019s Smokestack Lightning and the ramshackle sound of frontman Elias R\u00f8nnenfelt\u2019s favourites the Pogues. In 2018, Beyondless<\/a> offered Dexys-style horns, New Orleans jazz and a track that sounded like mid-80s U2 equipped with a string section. By 2021\u2019s Seek Shelter<\/a>, they had a gospel choir on board and mixed anthemic songs \u2013 imagine Oasis mired in angst, gloom and distortion \u2013 with tracks that interpolated the Carter Family\u2019s Can the Circle Be Unbroken? or bore the influence of French chanson.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(Mexican Summer)The quintet add shoegaze, country and 50s rock\u2019n\u2019roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music Iceage have always seemed like a band in a state of constant development. You might say that\u2019s understandable, given the Danish musicians were in their teens when their debut album...<\/p>\n","protected":false},"author":1,"featured_media":11176,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nIceage: For Love of Grace & the Hereafter review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/28\/iceage-for-love-of-grace-the-hereafter-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Iceage: For Love of Grace & the Hereafter review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Mexican Summer)The quintet add shoegaze, country and 50s rock\u2019n\u2019roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music Iceage have always seemed like a band in a state of constant development. 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