{"id":11214,"date":"2026-05-29T12:41:46","date_gmt":"2026-05-29T12:41:46","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/29\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\/"},"modified":"2026-05-29T12:41:46","modified_gmt":"2026-05-29T12:41:46","slug":"dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/29\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\/","title":{"rendered":"Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed Culture | The Guardian"},"content":{"rendered":"<p><strong>Perimeter, London<br \/><\/strong>Testicles have faces and a fox licks a phallus as the French artist mixes online anxiety, family life and saucy erotica in works charged with meaning<\/p>\n<p>Camille Henrot used to deal with the vast and unknowable. She used to ask the big questions. Who are we? Where do we come from? Why do we do what we do? Her 2014 show at the Chisenhale in London was about the origins of humanity and Darwinism, and her film Grosse Fatigue is about the creation of the universe. But in her latest work, the French artist has turned towards the introspective, the quiet, small and mundane.<\/p>\n<p>Here in this little private museum on a mews, the one-time winner of the Silver Lion at the Venice Biennale has done away with the hypercomplex, ultra-ambitious chaos of her installations and films. Instead, she has pared back, gone minimal and taken a long, hard look at herself.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/may\/29\/dont-camille-henrot-sexual-psychodrama-perimeter\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/may\/29\/dont-camille-henrot-sexual-psychodrama-perimeter\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/18d8ebd44b4671d7a0ce8968448c743145971e5e\/86_0_8864_7089\/master\/8864.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fe96d5fdb0e71ff94acab0ea0980f516\" title=\"Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Perimeter, LondonTesticles have faces and a fox licks a phallus as the French artist mixes online anxiety, family life and saucy erotica in works charged with meaning Camille Henrot used to deal with the vast and unknowable. She used to ask the big questions. Who are we? Where do we come from? Why do we&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11215,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/29\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Perimeter, LondonTesticles have faces and a fox licks a phallus as the French artist mixes online anxiety, family life and saucy erotica in works charged with meaning Camille Henrot used to deal with the vast and unknowable. She used to ask the big questions. Who are we? Where do we come from? Why do we&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/29\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-29T12:41:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/18d8ebd44b4671d7a0ce8968448c743145971e5e\/86_0_8864_7089\/master\/8864.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fe96d5fdb0e71ff94acab0ea0980f516\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed Culture | The Guardian\",\"datePublished\":\"2026-05-29T12:41:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/\"},\"wordCount\":172,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/8864-Gu5j5r.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/29\\\/dont-camille-henrot-review-surreal-sexual-psychodrama-for-the-digitally-overwhelmed-culture-the-guardian\\\/\",\"name\":\"Don\u2019t: Camille Henrot review \u2013 surreal sexual psychodrama for the digitally overwhelmed Culture | The Guardian - 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