{"id":11237,"date":"2026-05-30T10:31:33","date_gmt":"2026-05-30T10:31:33","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/euphoria-mirrors-the-nihilism-of-a-generation-raised-on-andrew-tate-and-bonnie-blue-culture-the-guardian\/"},"modified":"2026-05-30T10:31:33","modified_gmt":"2026-05-30T10:31:33","slug":"euphoria-mirrors-the-nihilism-of-a-generation-raised-on-andrew-tate-and-bonnie-blue-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/euphoria-mirrors-the-nihilism-of-a-generation-raised-on-andrew-tate-and-bonnie-blue-culture-the-guardian\/","title":{"rendered":"Euphoria mirrors the nihilism of a generation raised on Andrew Tate and Bonnie Blue Culture | The Guardian"},"content":{"rendered":"

As its third season ends, Sam Levinson\u2019s HBO show reflects the grim future that gen Z faces. Its rage-bait is precisely the point<\/p>\n

The third season<\/a> of Euphoria has been almost impossible to ignore for anyone with a smartphone. The HBO<\/a> drama, which started off in 2019<\/a> following a group of hedonistic, privileged teens, has evolved into television\u2019s answer to rage-bait, creating moments that are specifically designed to dominate the news feed with memes and outrage. Even before we reach the season finale, we\u2019ve seen<\/a> OnlyFans storylines, pup play, sugar daddies, mummification fetishes, a disastrous wedding, fingers and toes being sliced off, venomous snake attacks, cockatoo assassinations (RIP Paladin), gangster shootouts and (several) characters being buried alive.<\/p>\n

In season three, Euphoria picked up its story five years after the characters graduated from high school. At times, the show has felt lost outside of the high school setting<\/a>, exploring a confusing mishmash of genres and plots, some of which have been called out<\/a> for glamorising misogyny and violence. Yet despite these criticisms, the show has a track record of taking bold artistic risks, which is becoming rarer in a content landscape that values quantity over quality. It turned Sam Levinson, its creator, into one of Hollywood\u2019s most exciting (and polarising<\/a>) visionaries, and catapulted a new generation of actors into the A-list to the point where it now seems like they have outgrown the show). As season three concludes, Euphoria represents a strange \u2013 and very \u201c2026\u201d \u2013 contradiction, where it feels both ridiculous and undeniably influential.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

As its third season ends, Sam Levinson\u2019s HBO show reflects the grim future that gen Z faces. Its rage-bait is precisely the point The third season of Euphoria has been almost impossible to ignore for anyone with a smartphone. 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