{"id":11239,"date":"2026-05-30T11:32:31","date_gmt":"2026-05-30T11:32:31","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\/"},"modified":"2026-05-30T11:32:31","modified_gmt":"2026-05-30T11:32:31","slug":"take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\/","title":{"rendered":"Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle Culture | The Guardian"},"content":{"rendered":"<p><strong>St Mary\u2019s Stadium, Southampton<br \/><\/strong>Elephants, clowns, aerialists hanging by their hair \u2026 the Big Top concept doesn\u2019t let up at this hugely enjoyable outing for a boy band with hits to spare<\/p>\n<p>Take That have never been shy when it comes to repackaging their past. In 2018, they followed two official best-of collections with Odyssey, a Stuart Price-produced curio in which they \u201cre-imagined\u201d their greatest hits. Around the same time, band captain Gary Barlow \u2013 now overseeing just two teammates, Mark Owen and Howard Donald \u2013 was brutally honest about the band\u2019s standing as a legacy act more focused on ticket sales than streams. \u201cEven if [the album is] a flop, we\u2019re still going to go on tour next year and play to 600,000 people.\u201d<\/p>\n<p>Fast forward eight years and the band have sidestepped the studio time and are instead lightly \u201cre-imagining\u201d an entire old tour. And not just any tour. When it first played stadiums in summer 2009, Take That Presents The Circus became the fastest selling jaunt in UK history, making more than \u00a340m in profit. Without an obvious anniversary peg, on paper this unusual reboot of a widely seen show (even the DVD release broke sales records) has the feel of profit-obsessed businessmen stuck in a creative cul-de-sac.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/e89a6254a4695ee8a1e82790bcc6dbb5d71b84dd\/1367_720_3907_3126\/master\/3907.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4873aca5b006a63b6cf48b2792e1dba6\" title=\"Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>St Mary\u2019s Stadium, SouthamptonElephants, clowns, aerialists hanging by their hair \u2026 the Big Top concept doesn\u2019t let up at this hugely enjoyable outing for a boy band with hits to spare Take That have never been shy when it comes to repackaging their past. In 2018, they followed two official best-of collections with Odyssey, a&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"St Mary\u2019s Stadium, SouthamptonElephants, clowns, aerialists hanging by their hair \u2026 the Big Top concept doesn\u2019t let up at this hugely enjoyable outing for a boy band with hits to spare Take That have never been shy when it comes to repackaging their past. In 2018, they followed two official best-of collections with Odyssey, a&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/05\/30\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-30T11:32:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/e89a6254a4695ee8a1e82790bcc6dbb5d71b84dd\/1367_720_3907_3126\/master\/3907.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4873aca5b006a63b6cf48b2792e1dba6\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle Culture | The Guardian\",\"datePublished\":\"2026-05-30T11:32:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/\"},\"wordCount\":227,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3907-DgEPPi.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/05\\\/30\\\/take-that-review-stadium-redux-of-circus-tour-has-maximal-razzle-dazzle-culture-the-guardian\\\/\",\"name\":\"Take That review \u2013 stadium redux of Circus tour has maximal razzle-dazzle Culture | The Guardian - 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