{"id":11253,"date":"2026-05-31T15:34:52","date_gmt":"2026-05-31T15:34:52","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/05\/31\/orlando-review-a-confident-romp-through-handels-flimsily-plotted-opera-culture-the-guardian\/"},"modified":"2026-05-31T15:34:52","modified_gmt":"2026-05-31T15:34:52","slug":"orlando-review-a-confident-romp-through-handels-flimsily-plotted-opera-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/05\/31\/orlando-review-a-confident-romp-through-handels-flimsily-plotted-opera-culture-the-guardian\/","title":{"rendered":"Orlando review \u2013 a confident romp through Handel\u2019s flimsily plotted opera Culture | The Guardian"},"content":{"rendered":"<p><strong>Longborough Festival Opera, Moreton-in-Marsh<\/strong><br \/>Sin\u00e9ad O\u2019Neill\u2019s production is persuasive and Beth Taylor\u2019s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic<\/p>\n<p>The woodland outside Longborough\u2019s theatre, deep in the Cotswolds, sneaks inside and on to the stage for its season-opening production of Orlando. With a story that sometimes seems little more than an excuse for a series of showpiece arias, it\u2019s not an obvious choice for the festival\u2019s first Handel opera in a decade, but Sin\u00e9ad O\u2019Neill\u2019s production has confidence in the work and is persuasive enough to lead us through.<\/p>\n<p>The flimsy plot comes from Ariosto\u2019s poem Orlando Furioso. High-ranking warrior Orlando loves princess Angelica, but she\u2019s not interested; she loves Medoro. Low-ranking shepherdess Dorinda loves Medoro \u2013 but he loves Angelica, see above. The usual baroque-opera love triangles and noble self-sacrifice are absent, and what we have instead is the stuff of school lunch-queue gossip. Someone hears words that weren\u2019t meant for them and jumps to conclusions; someone else has unwisely given away a special bracelet. Then Orlando cracks: he has an extended, musically arresting mad scene and then goes on a murderous rampage that\u2019s cleared up by the presiding magician, Zoroastro, thus allowing for a happy ending.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/31\/orlando-review-longborough-festival-opera\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/may\/31\/orlando-review-longborough-festival-opera\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/bdc347dfbd3ba0afea6cb98b23276bfd2ddf5aec\/577_0_6250_5000\/master\/6250.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6fa40c453fa1ec003e8a57ba193f0b57\" title=\"Orlando review \u2013 a confident romp through Handel\u2019s flimsily plotted opera\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Longborough Festival Opera, Moreton-in-MarshSin\u00e9ad O\u2019Neill\u2019s production is persuasive and Beth Taylor\u2019s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic The woodland outside Longborough\u2019s theatre, deep in the Cotswolds, sneaks inside and on to the stage for its season-opening production of Orlando. With a story that sometimes seems little more&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Orlando review \u2013 a confident romp through Handel\u2019s flimsily plotted opera Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/05\/31\/orlando-review-a-confident-romp-through-handels-flimsily-plotted-opera-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orlando review \u2013 a confident romp through Handel\u2019s flimsily plotted opera Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Longborough Festival Opera, Moreton-in-MarshSin\u00e9ad O\u2019Neill\u2019s production is persuasive and Beth Taylor\u2019s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic The woodland outside Longborough\u2019s theatre, deep in the Cotswolds, sneaks inside and on to the stage for its season-opening production of Orlando. 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