{"id":11267,"date":"2026-06-01T10:32:07","date_gmt":"2026-06-01T10:32:07","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/01\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\/"},"modified":"2026-06-01T10:32:07","modified_gmt":"2026-06-01T10:32:07","slug":"we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/01\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\/","title":{"rendered":"\u2018We can all be susceptible\u2019: how did a group of models get taken in by a cult? Culture | The Guardian"},"content":{"rendered":"<p>In HBO docuseries Bring Me the Beauties, a lesser-known, image-obsessed cult from the 80s is put under the spotlight<\/p>\n<p>Documentary film-maker Chris Smith made the seminal 1999 film American Movie, about an indie director\u2019s struggle to complete a horror film, which he hopes will then finance the completion of his dream project. More recently, he\u2019s profiled well-known subjects in projects for Netflix about Jim Carrey and Andy Kaufman, the bands Devo and Wham!, and the disastrous Fyre festival, among others. His new HBO miniseries Bring Me the Beauties is similarly connected to popular culture, but through a story with far less immediately available background material: the rise and fall of Eternal Values, a cult started in the 80s by the eccentric Frederick von Mierers, consisting largely of models.<\/p>\n<p>\u201cWhat was odd about this story,\u201d Smith said, \u201cis that there was very little about it online.\u201d He met Hoyt Richards, sometimes referred to as the first male supermodel and a former Eternal Values member, on another project, \u201cand as we started talking, hours went by\u201d, Smith said. \u201cIt was one of those situations where I just became more and more curious about his life.\u201d Richards became the backbone of the series, sitting for many hours of interviews, but wasn\u2019t sure if Smith and his collaborators would be able to coax anyone else into participation. As seen in the series, not everyone\u2019s account of their experience with Von Mierers is the same; not everyone is even convinced they were involved with a cult in the first place.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2026\/jun\/01\/bring-me-the-beauties-hbo-docuseries\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2026\/jun\/01\/bring-me-the-beauties-hbo-docuseries\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/2d71a5ba455fc88f57cd3df72839fe160daa2eea\/0_535_1296_1036\/master\/1296.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a9699ad253116a69d1be8689d8e7ae65\" title=\"\u2018We can all be susceptible\u2019: how did a group of models get taken in by a cult?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>In HBO docuseries Bring Me the Beauties, a lesser-known, image-obsessed cult from the 80s is put under the spotlight Documentary film-maker Chris Smith made the seminal 1999 film American Movie, about an indie director\u2019s struggle to complete a horror film, which he hopes will then finance the completion of his dream project. More recently, he\u2019s&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018We can all be susceptible\u2019: how did a group of models get taken in by a cult? Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/01\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We can all be susceptible\u2019: how did a group of models get taken in by a cult? Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"In HBO docuseries Bring Me the Beauties, a lesser-known, image-obsessed cult from the 80s is put under the spotlight Documentary film-maker Chris Smith made the seminal 1999 film American Movie, about an indie director\u2019s struggle to complete a horror film, which he hopes will then finance the completion of his dream project. More recently, he\u2019s&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/01\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-01T10:32:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/2d71a5ba455fc88f57cd3df72839fe160daa2eea\/0_535_1296_1036\/master\/1296.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a9699ad253116a69d1be8689d8e7ae65\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/01\\\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/01\\\/we-can-all-be-susceptible-how-did-a-group-of-models-get-taken-in-by-a-cult-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"\u2018We can all be susceptible\u2019: how did a group of models get taken in by a cult? 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