Opera makers have always engaged with the latest inventions while also preserving historic crafts. I believe it\u2019s possible to look both forwards and backwards in this fast-evolving landscape<\/p>\n
The disquiet and distrust surrounding artificial intelligence among artists and creatives remain real and consequential, and the language used by leading arts commentators is often apocalyptic: AI will decimate the arts, it is evil, it is the devil. Like many emerging technologies, AI has been driven by the corporations at the forefront of its creation. Introduced to the public at a rapid rate and continuously evolving, machine learning has become closely entwined with fear, antipathy and foreboding. At the same time, its powers and possibilities are expanding exponentially, becoming embedded in almost every aspect of human activity.<\/p>\n
The upcoming RBO\/SHIFT festival <\/a>at the Royal Opera House aims to interrogate all sides of this fast-evolving landscape to enable artists, performers, creatives and audiences to think deeply and widely about where we are now, and where we may be tomorrow. Machine learning represents a seismic shift, both in society and in the arts, and we need storytellers, artists, teachers and thinkers in this space to help determine the direction of that shift and help us navigate this unfamiliar territory.<\/p>\n
![](\"https:\/\/i.guim.co.uk\/img\/media\/cb7baaacce2b1559720af997e4658215539c30b3\/461_0_3480_2784\/master\/3480.jpg?width=140&quality=85&auto=format&fit=max&s=ea4cb0ad42ac7d7a46424c50fc5e214b\" "\\"AI")
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