{"id":11317,"date":"2026-06-02T16:15:13","date_gmt":"2026-06-02T16:15:13","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/02\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\/"},"modified":"2026-06-02T16:15:13","modified_gmt":"2026-06-02T16:15:13","slug":"jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/02\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\/","title":{"rendered":"Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time Culture | The Guardian"},"content":{"rendered":"<p><strong>Newport Street Gallery, London<\/strong><br \/>White may be a talented musician but as a visual artist, he\u2019s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this show<\/p>\n<p>Nobody can phone it in like a famous conceptual artist. Invited to customise one of rock star Jack White\u2019s amplifiers, Ai Weiwei has inscribed the F-word in buttons of various sizes and colours across its front. It\u2019s a cynical, contemptuous gesture, but also a marvellously louche one, reminding you of the dangerous, nihilistic yet creative spirit that this exhibition of White\u2019s art totally lacks.<\/p>\n<p>White was huge in the 00s as one half of duo the White Stripes, with Meg White, and his solo career is still going strong. Clearly the art world wants to be his friend. This show is on at Damien Hirst\u2019s Newport Street Gallery and its luxurious hardback catalogue includes an interview with him by the uber-curator Hans Ulrich Obrist. Hirst has also customised an amp with \u2013 guess what? \u2013 a model of a rotting cow\u2019s head. In addition, he has collaborated with White on works featuring other hackneyed Hirst tropes: an eternally floating ping-pong ball and a spin painting.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/02\/jack-white-these-thoughts-may-disappear-review-newport-street-gallery-london-white-stripes-damien-hirst-ai-weiwei\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/02\/jack-white-these-thoughts-may-disappear-review-newport-street-gallery-london-white-stripes-damien-hirst-ai-weiwei\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/852723b30d052e0870d5ec8942c18b7b2674baa3\/388_0_4000_3200\/master\/4000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6ed28cb752ec1f853c9a13a639c8fc3f\" title=\"Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Newport Street Gallery, LondonWhite may be a talented musician but as a visual artist, he\u2019s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this show Nobody can phone it in like a famous conceptual artist. Invited to customise one of rock star Jack White\u2019s amplifiers, Ai Weiwei has inscribed&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/02\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Newport Street Gallery, LondonWhite may be a talented musician but as a visual artist, he\u2019s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this show Nobody can phone it in like a famous conceptual artist. Invited to customise one of rock star Jack White\u2019s amplifiers, Ai Weiwei has inscribed&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/02\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-02T16:15:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/852723b30d052e0870d5ec8942c18b7b2674baa3\/388_0_4000_3200\/master\/4000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6ed28cb752ec1f853c9a13a639c8fc3f\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time Culture | The Guardian\",\"datePublished\":\"2026-06-02T16:15:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/\"},\"wordCount\":227,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/4000-FDC65O.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/02\\\/jack-white-review-former-white-stripes-art-is-like-a-12-year-old-visiting-tate-modern-for-the-first-time-culture-the-guardian\\\/\",\"name\":\"Jack White review \u2013 former White Stripe\u2019s art is like a 12-year-old visiting Tate Modern for the first time Culture | The Guardian - 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