{"id":11347,"date":"2026-06-03T13:31:16","date_gmt":"2026-06-03T13:31:16","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/03\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\/"},"modified":"2026-06-03T13:31:16","modified_gmt":"2026-06-03T13:31:16","slug":"vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/03\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\/","title":{"rendered":"Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice Culture | The Guardian"},"content":{"rendered":"<p><strong>Smith Square Hall, London <br \/><\/strong>This resourceful semi-staging blended choral collective Idr\u00ees\u00ee Ensemble\u2019s ancient chants with Iestyn Davies and Figure\u2019s Vivaldi.<\/p>\n<p>Vespers. The word conjures an intoxicating aura of twilight and incense. Liturgically, it\u2019s an opportunity for Christians to sanctify the day\u2019s end as the sun is setting, but its roots are deeper, stretching back to first-century Judaism. Its name, from the Greek Hesperus, hints at darker pagan origins. This semi-staged concert located Vespers as it might have been heard in Vivaldi\u2019s Venice, within the broader and more ancient cultures of the Mediterranean.<\/p>\n<p>Entering to the sound of bells, the audience was seated either side of a raised platform. At one end were string players from <a href=\"https:\/\/www.figureensemble.co.uk\/\">Figure<\/a>, a historical performance orchestra, crisply led by Frederick Waxman. At the other was countertenor Iestyn Davies, a troubled figure staring at a laptop and lit by a single candle. As he donned headphones, an otherworldly Kyrie drifted down from a balcony. The voices were Idr\u00ees\u00ee Ensemble, a choral collective specialising in the performance of Old Roman chant, the music of the early Christian Church in Rome. It was a haunting sound, open throated and ornate, its vinegary harmonies peppered with ululating decorations.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/03\/vespers-review-idrisi-ensemble-iestyn-davies-figure-ensemble\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/03\/vespers-review-idrisi-ensemble-iestyn-davies-figure-ensemble\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/8dc528633577c39916b96e3acb046f8d6a454946\/766_0_6880_5504\/master\/6880.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca5e4a50da2bd8665d0ec49f481e0a12\" title=\"Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Smith Square Hall, London This resourceful semi-staging blended choral collective Idr\u00ees\u00ee Ensemble\u2019s ancient chants with Iestyn Davies and Figure\u2019s Vivaldi. Vespers. The word conjures an intoxicating aura of twilight and incense. Liturgically, it\u2019s an opportunity for Christians to sanctify the day\u2019s end as the sun is setting, but its roots are deeper, stretching back to&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/03\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Smith Square Hall, London This resourceful semi-staging blended choral collective Idr\u00ees\u00ee Ensemble\u2019s ancient chants with Iestyn Davies and Figure\u2019s Vivaldi. Vespers. The word conjures an intoxicating aura of twilight and incense. Liturgically, it\u2019s an opportunity for Christians to sanctify the day\u2019s end as the sun is setting, but its roots are deeper, stretching back to&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/03\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-03T13:31:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/8dc528633577c39916b96e3acb046f8d6a454946\/766_0_6880_5504\/master\/6880.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca5e4a50da2bd8665d0ec49f481e0a12\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice Culture | The Guardian\",\"datePublished\":\"2026-06-03T13:31:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/\"},\"wordCount\":222,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/6880-7CjP2C.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/03\\\/vespers-review-haunting-clash-of-cultures-conjures-vivaldis-venice-culture-the-guardian\\\/\",\"name\":\"Vespers review \u2013 haunting clash of cultures conjures Vivaldi\u2019s Venice Culture | The Guardian - 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