{"id":11380,"date":"2026-06-04T12:58:12","date_gmt":"2026-06-04T12:58:12","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/04\/high-society-review-smooth-musical-hardly-misbehaves-but-the-songs-are-heavenly-culture-the-guardian\/"},"modified":"2026-06-04T12:58:12","modified_gmt":"2026-06-04T12:58:12","slug":"high-society-review-smooth-musical-hardly-misbehaves-but-the-songs-are-heavenly-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/04\/high-society-review-smooth-musical-hardly-misbehaves-but-the-songs-are-heavenly-culture-the-guardian\/","title":{"rendered":"High Society review \u2013 smooth musical hardly misbehaves but the songs are heavenly Culture | The Guardian"},"content":{"rendered":"<p><strong>Barbican theatre, London<br \/><\/strong>Impeccable vocals and slick staging make for dazzling set pieces in a tame production that\u2019s missing the emotional centre of the 1956 film<\/p>\n<p>Five years ago, the Barbican staged the first of three Cole Porter musicals in quick succession. A sublime revival of <a href=\"https:\/\/www.theguardian.com\/stage\/2021\/aug\/05\/anything-goes-review-sutton-foster-dazzles-in-cole-porters-fizzing-tonic-for-our-times\">Anything Goes<\/a> was fun, frothy and polished to perfection. <a href=\"https:\/\/www.theguardian.com\/stage\/article\/2024\/jun\/18\/kiss-me-kate-review-cole-porter-adrian-dunbar-line-of-duty-barbican\">Kiss Me, Kate<\/a> followed, and now this show, about the romantic shenanigans of the American east coast gentry.<\/p>\n<p>Immaculate in its song and dance, it is smoothly staged from the minute the (doomed) multitiered cake is wheeled on for the upcoming wedding in Long Island. But something is missing from the love triangle between socialite Tracy Lord (Helen George), her pining ex-husband Dexter (Julian Ovenden) and square fiance George (David Seadon-Young) \u2013 with undercover journalist Mike (Freddie Fox) thrown into the romantic pot for good measure.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/jun\/04\/high-society-review-barbican-theatre-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/jun\/04\/high-society-review-barbican-theatre-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/43bfd7a68b08f936dfb3e0df7af963514d1ddd0f\/672_556_3567_2855\/master\/3567.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f148e60d3f1b7b219870c6f3b26dd18b\" title=\"High Society review \u2013 smooth musical hardly misbehaves but the songs are heavenly\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Barbican theatre, LondonImpeccable vocals and slick staging make for dazzling set pieces in a tame production that\u2019s missing the emotional centre of the 1956 film Five years ago, the Barbican staged the first of three Cole Porter musicals in quick succession. A sublime revival of Anything Goes was fun, frothy and polished to perfection. Kiss&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":11381,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>High Society review \u2013 smooth musical hardly misbehaves but the songs are heavenly Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/04\/high-society-review-smooth-musical-hardly-misbehaves-but-the-songs-are-heavenly-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"High Society review \u2013 smooth musical hardly misbehaves but the songs are heavenly Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Barbican theatre, LondonImpeccable vocals and slick staging make for dazzling set pieces in a tame production that\u2019s missing the emotional centre of the 1956 film Five years ago, the Barbican staged the first of three Cole Porter musicals in quick succession. 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