{"id":12189,"date":"2026-06-05T08:36:11","date_gmt":"2026-06-05T08:36:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\/"},"modified":"2026-06-05T08:36:11","modified_gmt":"2026-06-05T08:36:11","slug":"sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\/","title":{"rendered":"Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation Culture | The Guardian"},"content":{"rendered":"<p>The movie adaptation of Gary Owen\u2019s acclaimed play Iphigenia in Splott, Effi o Blaenau, is released this month. Here, its director and crew explain why they relocated the film to a post-industrial mining town \u2013 and refused to make it in English<\/p>\n<p>The one-woman play <a href=\"https:\/\/www.theguardian.com\/stage\/2022\/oct\/02\/iphigenia-in-splott-review-gary-owen-sophie-melville-lyric-hammersmith-london\">Iphigenia in Splott<\/a> was first performed in 2015. Eleven years on, Gary Owen\u2019s reworking of Greek tragedy, transplanted to working-class Splott in Cardiff, has earned its place as a modern classic. It reimagines the mythological heroine Iphigenia as Effie, a young woman filling her days drinking vodka out of a mug in her dressing gown. The play is about poverty and social inequality, closures and cuts, services scraped to the bone by austerity. Its most recent <a href=\"https:\/\/www.theguardian.com\/stage\/2022\/oct\/02\/iphigenia-in-splott-review-gary-owen-sophie-melville-lyric-hammersmith-london\">five-star Guardian review<\/a> in 2022 advised: \u201cEveryone should see this.\u201d<\/p>\n<p>One person who did was Leisa Gwenllian, a final-year drama student from north Wales. \u201cI was on the front row with my mate,\u201d says Gwenllian, 24, drinking mint tea in a London hotel. \u201cI can remember thinking: wow! A Welsh woman with a strong Cardiff accent on the stage at the Lyric [in Hammersmith, London], that\u2019s what it\u2019s all about.\u201d At the Oxford School of Drama, Gwenllian was mainly studying the classics alongside people with different accents and backgrounds from her own. \u201cTo see yourself on stage is really powerful.\u201d<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/jun\/05\/how-greek-myth-iphigenia-became-welsh-language-film-iphigenia-in-splott-effi-o-blaenau\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/jun\/05\/how-greek-myth-iphigenia-became-welsh-language-film-iphigenia-in-splott-effi-o-blaenau\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/665de7f2d36028ced49a089e897eb1846df28312\/561_0_2700_2160\/master\/2700.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cdbd8e58232fe8a9c724559a199c212f\" title=\"Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The movie adaptation of Gary Owen\u2019s acclaimed play Iphigenia in Splott, Effi o Blaenau, is released this month. Here, its director and crew explain why they relocated the film to a post-industrial mining town \u2013 and refused to make it in English The one-woman play Iphigenia in Splott was first performed in 2015. Eleven years&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"The movie adaptation of Gary Owen\u2019s acclaimed play Iphigenia in Splott, Effi o Blaenau, is released this month. Here, its director and crew explain why they relocated the film to a post-industrial mining town \u2013 and refused to make it in English The one-woman play Iphigenia in Splott was first performed in 2015. Eleven years&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-05T08:36:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/665de7f2d36028ced49a089e897eb1846df28312\/561_0_2700_2160\/master\/2700.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cdbd8e58232fe8a9c724559a199c212f\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation Culture | The Guardian\",\"datePublished\":\"2026-06-05T08:36:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/\"},\"wordCount\":244,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/2700-iqclZv.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/05\\\/sex-austerity-and-mugs-of-vodka-how-the-greek-myth-iphigenia-became-a-welsh-language-film-sensation-culture-the-guardian\\\/\",\"name\":\"Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation Culture | The Guardian - 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