{"id":12191,"date":"2026-06-05T08:36:11","date_gmt":"2026-06-05T08:36:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/lizzo-bitch-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/"},"modified":"2026-06-05T08:36:11","modified_gmt":"2026-06-05T08:36:11","slug":"lizzo-bitch-review-alexis-petridiss-album-of-the-week-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/lizzo-bitch-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/","title":{"rendered":"Lizzo: Bitch review | Alexis Petridis’s album of the week Culture | The Guardian"},"content":{"rendered":"

(Atlantic)
<\/strong>After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind<\/p>\n

Just over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied<\/a>, she performed its title track<\/a> and two other new songs, Still Bad<\/a> and Don\u2019t Make Me Love U<\/a>. As with her appearance earlier the same week on a late night talkshow \u2013 during which she ran into the audience to high-five fans who were yelling \u201cwe love you Lizzo!\u201d \u2013 it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers<\/a> and a costume designer filed lawsuits<\/a> against the singer alleging harassment and discrimination: damaging claims given how Lizzo\u2019s songs<\/a> have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge<\/a> but others are ongoing; Lizzo has refused to settle out of court<\/a>, saying: \u201cI\u2019m fighting the case because I know that it\u2019s not true.\u201d<\/p>\n

But the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty\u2019s American Girls \u2013 or the Strokes\u2019 American Girls-indebted Last Nite if you prefer \u2013 failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo\u2019s singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny \u2013 \u201cI need to do shit my way\u201d. A mixtape that returned her more-or-less to where she started, before pop stardom came calling \u2013 punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA \u2013 appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(Atlantic)After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind Just over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting...<\/p>\n","protected":false},"author":1,"featured_media":12192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nLizzo: Bitch review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/05\/lizzo-bitch-review-alexis-petridiss-album-of-the-week-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lizzo: Bitch review | Alexis Petridis's album of the week Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Atlantic)After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. 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