{"id":12274,"date":"2026-06-08T13:31:58","date_gmt":"2026-06-08T13:31:58","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/08\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\/"},"modified":"2026-06-08T13:31:58","modified_gmt":"2026-06-08T13:31:58","slug":"julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/08\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\/","title":{"rendered":"Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair Culture | The Guardian"},"content":{"rendered":"<p><strong>Tate Modern, London<\/strong><br \/>The late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit \u2013 you can even spin the paintings! <\/p>\n<p>In a great scene in Jean-Luc Godard\u2019s 1964 film Bande \u00e0 Part, the young protagonists run through the Louvre, leaving puzzled art lovers and angry guards in their wake. It seems impromptu and genuinely disruptive yet Godard\u2019s camera finds time to pause in front of Jacques-Louis David\u2019s Oath of the Horatii, an icon of the French Revolution. This is 1960s Paris, a place where young radicals mock high culture in a carnival that starts with running in the museum and will end in 68 on the streets.<\/p>\n<p>Julio Le Parc\u2019s retrospective at Tate Modern plunges you into that 1960s Paris and it\u2019s riotous good fun. It takes a lot to get me off my contemplative pillar and physically \u201cinteract\u201d with art but I was soon pushing buttons and spinning paintings. Marcel Duchamp called one of his late works Pri\u00e8re de Toucher (Please Touch), which would have made a good title for this show. Please touch these artworks, make them do things, let them do things to you. One of the simplest, Pattern to Manipulate, is a disc painted with a black and white abstraction: a red arrow on the wall tells you which way to spin it and when you do it fast, the black and white becomes pure white.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/08\/julio-le-parc-review-tate-modern-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/08\/julio-le-parc-review-tate-modern-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/a229182dae92e7430d368bb9d0207599bd976407\/78_378_2589_2070\/master\/2589.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3307e1718ed807cafff91a654363080f\" title=\"Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Tate Modern, LondonThe late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit \u2013 you can even spin the paintings! In a great scene in Jean-Luc Godard\u2019s 1964 film Bande \u00e0 Part, the young protagonists run through the Louvre, leaving puzzled art lovers and angry guards in&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12275,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/08\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Tate Modern, LondonThe late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit \u2013 you can even spin the paintings! In a great scene in Jean-Luc Godard\u2019s 1964 film Bande \u00e0 Part, the young protagonists run through the Louvre, leaving puzzled art lovers and angry guards in&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/08\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-08T13:31:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/a229182dae92e7430d368bb9d0207599bd976407\/78_378_2589_2070\/master\/2589.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3307e1718ed807cafff91a654363080f\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair Culture | The Guardian\",\"datePublished\":\"2026-06-08T13:31:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/\"},\"wordCount\":261,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/2589-UJF8CW.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/08\\\/julio-le-parc-review-as-if-bridget-riley-had-opened-a-riotous-funfair-culture-the-guardian\\\/\",\"name\":\"Julio Le Parc review \u2013 as if Bridget Riley had opened a riotous funfair Culture | The Guardian - 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