{"id":12349,"date":"2026-06-10T10:31:08","date_gmt":"2026-06-10T10:31:08","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/10\/its-not-about-heroes-and-villains-the-triumphant-return-of-long-lost-indie-i-shot-andy-warhol-culture-the-guardian\/"},"modified":"2026-06-10T10:31:08","modified_gmt":"2026-06-10T10:31:08","slug":"its-not-about-heroes-and-villains-the-triumphant-return-of-long-lost-indie-i-shot-andy-warhol-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/10\/its-not-about-heroes-and-villains-the-triumphant-return-of-long-lost-indie-i-shot-andy-warhol-culture-the-guardian\/","title":{"rendered":"\u2018It\u2019s not about heroes and villains\u2019: the triumphant return of long-lost indie I Shot Andy Warhol Culture | The Guardian"},"content":{"rendered":"<p>Director Mary Harron on her audacious \u2018anti-biopic\u2019 of Scum Manifesto author Valerie Solanas, who shot Warhol in 1968<\/p>\n<p>On 3 June 1968, Valerie Solanas, the sole member of Scum (the Society for Cutting Up Men), entered <a href=\"https:\/\/www.theguardian.com\/artanddesign\/andywarhol\">Andy Warhol<\/a>\u2019s Factory, pulled out a .32-caliber pistol and fired three shots. The first struck Mario Amaya, an art critic, in the hip, the second lodged in a wall and the third pierced Warhol\u2019s chest. Two days later, <a href=\"https:\/\/www.theguardian.com\/us-news\/robert-kennedy\">Robert Kennedy<\/a> was assassinated, stealing airtime from the attempted murder of America\u2019s most famous Pop artist. After the shooting, Solanas, as Warhol might have put it, got her \u201c15minutes of fame\u201d.<\/p>\n<p>When police asked Solanas why she shot Warhol, she replied she \u201chad a lot of very involved reasons\u201d. That phrase recurs throughout Mary Harron\u2019s 1996 directorial debut, I Shot Andy Warhol, which takes its title from another line in Solanas\u2019s police confession and walks the viewer back through her life, while leaving the question of why she did it open to interpretation. Thirty years ago, it opened Cannes\u2019 Un Certain Regard section, and today, the film remains one of the 90s\u2019 most formally adventurous biographical dramas and has become a queer cult classic.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/jun\/10\/i-shot-andy-warhol-mary-harron-director-interview-valerie-solanas-lili-taylor\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/jun\/10\/i-shot-andy-warhol-mary-harron-director-interview-valerie-solanas-lili-taylor\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/af89d85c367fd221ce23930f64a0bf4b19233050\/645_0_2550_2042\/master\/2550.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8efd925c0ca96cf50400ea95468e3df1\" title=\"\u2018It\u2019s not about heroes and villains\u2019: the triumphant return of long-lost indie I Shot Andy Warhol\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Director Mary Harron on her audacious \u2018anti-biopic\u2019 of Scum Manifesto author Valerie Solanas, who shot Warhol in 1968 On 3 June 1968, Valerie Solanas, the sole member of Scum (the Society for Cutting Up Men), entered Andy Warhol\u2019s Factory, pulled out a .32-caliber pistol and fired three shots. The first struck Mario Amaya, an art&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018It\u2019s not about heroes and villains\u2019: the triumphant return of long-lost indie I Shot Andy Warhol Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/10\/its-not-about-heroes-and-villains-the-triumphant-return-of-long-lost-indie-i-shot-andy-warhol-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018It\u2019s not about heroes and villains\u2019: the triumphant return of long-lost indie I Shot Andy Warhol Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Director Mary Harron on her audacious \u2018anti-biopic\u2019 of Scum Manifesto author Valerie Solanas, who shot Warhol in 1968 On 3 June 1968, Valerie Solanas, the sole member of Scum (the Society for Cutting Up Men), entered Andy Warhol\u2019s Factory, pulled out a .32-caliber pistol and fired three shots. 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