{"id":12386,"date":"2026-06-11T12:32:22","date_gmt":"2026-06-11T12:32:22","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\/"},"modified":"2026-06-11T12:32:22","modified_gmt":"2026-06-11T12:32:22","slug":"hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\/","title":{"rendered":"Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures Culture | The Guardian"},"content":{"rendered":"<p><strong>Courtauld, London<\/strong><br \/>Barbara Hepworth\u2019s elegant works, with their harp-like strings and splashes of blue, evoke the foamy breakers of St Ives. But should we really be surprised she used colour?<\/p>\n<p>They say in St Ives that if you put your ear to a Barbara Hepworth sculpture, you can hear the waves breaking on Porthmeor beach. Well, maybe they do say that and maybe they don\u2019t. But the sea definitely roars in the ravishing sculptures at the heart of this small survey of just one aspect of her work: her use of colour.<\/p>\n<p>Hepworth\u2019s favourite colours turn out to be \u2013 wait for it \u2013 blue and white, the colours of the sea: the white foamy breakers and the rippling waters that swaddle the Cornish fishing town where her home and studio are proudly preserved.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/11\/barbara-hepworth-in-colour-review-courtauld-london-st-ives-cornish\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/11\/barbara-hepworth-in-colour-review-courtauld-london-st-ives-cornish\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/abb8b91180859ba9b5438ba77427f72f5489a0b1\/367_101_3560_2849\/master\/3560.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2b678f438d98959faae0a59eeffc5ab9\" title=\"Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Courtauld, LondonBarbara Hepworth\u2019s elegant works, with their harp-like strings and splashes of blue, evoke the foamy breakers of St Ives. But should we really be surprised she used colour? They say in St Ives that if you put your ear to a Barbara Hepworth sculpture, you can hear the waves breaking on Porthmeor beach. Well,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Courtauld, LondonBarbara Hepworth\u2019s elegant works, with their harp-like strings and splashes of blue, evoke the foamy breakers of St Ives. But should we really be surprised she used colour? They say in St Ives that if you put your ear to a Barbara Hepworth sculpture, you can hear the waves breaking on Porthmeor beach. Well,&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-11T12:32:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/abb8b91180859ba9b5438ba77427f72f5489a0b1\/367_101_3560_2849\/master\/3560.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2b678f438d98959faae0a59eeffc5ab9\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures Culture | The Guardian\",\"datePublished\":\"2026-06-11T12:32:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/\"},\"wordCount\":153,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/3560-jY7PWq.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/11\\\/hepworth-in-colour-review-salty-cornish-seascapes-compressed-into-immaculate-sculptures-culture-the-guardian\\\/\",\"name\":\"Hepworth in Colour review \u2013 salty Cornish seascapes compressed into immaculate sculptures Culture | The Guardian - 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