{"id":12406,"date":"2026-06-11T15:31:25","date_gmt":"2026-06-11T15:31:25","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/katia-and-marielle-labeque-55-album-review-culture-the-guardian\/"},"modified":"2026-06-11T15:31:25","modified_gmt":"2026-06-11T15:31:25","slug":"katia-and-marielle-labeque-55-album-review-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/katia-and-marielle-labeque-55-album-review-culture-the-guardian\/","title":{"rendered":"Katia and Marielle Lab\u00e8que: 55 album review Culture | The Guardian"},"content":{"rendered":"<p><strong>(Deutsche Grammophon)<\/strong><br \/>The pianist sisters\u2019 celebration of their 55 years of recording is a thoughtfully curated compilation that reveals the extent of their omnivorous musical appetites<\/p>\n<p>In 1969, two teenage students at the Paris Conservatoire recorded Olivier Messiaen\u2019s formidable Visions de l\u2019Amen under the composer\u2019s doubtless nerve-racking supervision. It was released in 1970. Fifty-five years later, Katia and Marielle Lab\u00e8que\u2019s musical curiosity is undimmed as this handsome three-disc tribute set demonstrates. A mix of new recordings and classics, it reveals the extent of their omnivorous appetites, from 20th-century modernism to minimalism and jazz.<\/p>\n<p>Although best known as a two-piano duo, there\u2019s plenty of four-hands repertoire here, including an iridescent new recording of Le Jardin F\u00e9erique from Ravel\u2019s Ma M\u00e8re l\u2019Oye alongside music by Bizet, Faur\u00e9 (two movements from his Dolly Suite) and a finger-shredding Dance of the Earth from Stravinsky\u2019s Rite of Spring. Works by Gershwin, Bernstein and De Falla are among other highlights.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/11\/katia-and-marielle-labeque-55-album-review\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/11\/katia-and-marielle-labeque-55-album-review\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/c0176888c5c62b139726e12642c85ebb53b5160c\/1144_214_10180_8144\/master\/10180.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0521bbb6600ddd59a68f58a4282369bd\" title=\"Katia and Marielle Lab\u00e8que: 55 album review\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>(Deutsche Grammophon)The pianist sisters\u2019 celebration of their 55 years of recording is a thoughtfully curated compilation that reveals the extent of their omnivorous musical appetites In 1969, two teenage students at the Paris Conservatoire recorded Olivier Messiaen\u2019s formidable Visions de l\u2019Amen under the composer\u2019s doubtless nerve-racking supervision. It was released in 1970. Fifty-five years later,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Katia and Marielle Lab\u00e8que: 55 album review Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/11\/katia-and-marielle-labeque-55-album-review-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Katia and Marielle Lab\u00e8que: 55 album review Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Deutsche Grammophon)The pianist sisters\u2019 celebration of their 55 years of recording is a thoughtfully curated compilation that reveals the extent of their omnivorous musical appetites In 1969, two teenage students at the Paris Conservatoire recorded Olivier Messiaen\u2019s formidable Visions de l\u2019Amen under the composer\u2019s doubtless nerve-racking supervision. It was released in 1970. 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