{"id":12547,"date":"2026-06-17T08:32:54","date_gmt":"2026-06-17T08:32:54","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/collapse-by-edouard-louis-review-coming-to-terms-with-a-brothers-death-culture-the-guardian\/"},"modified":"2026-06-17T08:32:54","modified_gmt":"2026-06-17T08:32:54","slug":"collapse-by-edouard-louis-review-coming-to-terms-with-a-brothers-death-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/collapse-by-edouard-louis-review-coming-to-terms-with-a-brothers-death-culture-the-guardian\/","title":{"rendered":"Collapse by \u00c9douard Louis review \u2013 coming to terms with a brother\u2019s death Culture | The Guardian"},"content":{"rendered":"

In the latest autofictional instalment of his family saga, the French writer makes sense of his sibling\u2019s violent homophobia and short life <\/p>\n

At 33, the French writer \u00c9douard Louis has already seen all seven of his slim novels translated into English. In his breakout debut, The End of Eddy<\/a> (2017), and again in Change<\/a> (2024), he wrote about being the promising child of a poor family, the bullied gay son who became a bestselling author. Several of his other books have offered sympathetic sociological portraits of his parents: a father destroyed by physical labour, a victim of French healthcare and housing subsidy cutbacks, and a mother who, after raising numerous children in poverty, fled first Louis\u2019s father and then, in Monique Escapes, published earlier this year, his abusive successor. Now, in Collapse, translated by novelist Tash Aw, Louis describes his eldest brother\u2019s death, at 38, from complications relating to alcoholism.<\/p>\n

\u201cI felt nothing at the announcement of the death of my brother,\u201d he begins; \u201cnot sadness or despair or joy or pleasure.\u201d The reasons for his coldness soon become clear. His brother was violently homophobic. His drinking at one point prevented Louis from sleeping ahead of a crucial exam. After The End of Eddy came out, his brother went looking for him with a baseball bat. So when Louis talks with his mother and sister about how to pay for his brother\u2019s funeral and admits, \u201cyes, I would have let him be buried like a dog\u201d, we understand why.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

In the latest autofictional instalment of his family saga, the French writer makes sense of his sibling\u2019s violent homophobia and short life At 33, the French writer \u00c9douard Louis has already seen all seven of his slim novels translated into English. 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