{"id":12559,"date":"2026-06-17T13:31:58","date_gmt":"2026-06-17T13:31:58","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/"},"modified":"2026-06-17T13:31:58","modified_gmt":"2026-06-17T13:31:58","slug":"midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/","title":{"rendered":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian"},"content":{"rendered":"<p>\u2018I wanted to celebrate the women who are reinventing morris dancing. They took me to a pub and gave me a pickled egg mashed up in a packet of crisps. I felt like I\u2019d entered a magical world\u2019<\/p>\n<p>Morris used to be a very male-dominated sport, but in 1975 the Morris Federation was created specifically to allow women to join sides. An older organisation, the Morris Ring, didn\u2019t allow teams with women to be members <a href=\"https:\/\/www.theguardian.com\/stage\/2019\/mar\/29\/morris-dancing-gender-women\">until 2018<\/a>, yet today women account for more than half of Britain\u2019s Morris dancers. As soon as I heard about Boss Morris, the all-female side in this picture, I wanted to shoot a portrait of them. I was keen to celebrate the evolution of this traditional form of dance by focusing on young women who are both honouring and reinventing it.<\/p>\n<p>When they appeared <a href=\"https:\/\/www.youtube.com\/watch?v=6120T_EDBRc\">on stage at the Brits <\/a>with the band Wet Leg, who I was working with at the time, I thought, \u201cIt\u2019s meant to be! If I don\u2019t do it now, someone else will.\u201d It was really hard to pin the group down, as there are so many of them, but as we discussed ideas they all got excited by the idea of doing a summer solstice shoot on Rodborough Common during one of their practice evenings. It\u2019s a great location \u2013 an amazing hilly green space right on their doorstep in Stroud.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jun\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/bcb03057d87eb15aca4b3a99b23d1d8ff9c9e767\/0_532_4542_3633\/master\/4542.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3a35e90996ad4aa00d94621ea39bfbfb\" title=\"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>\u2018I wanted to celebrate the women who are reinventing morris dancing. They took me to a pub and gave me a pickled egg mashed up in a packet of crisps. I felt like I\u2019d entered a magical world\u2019 Morris used to be a very male-dominated sport, but in 1975 the Morris Federation was created specifically&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"\u2018I wanted to celebrate the women who are reinventing morris dancing. They took me to a pub and gave me a pickled egg mashed up in a packet of crisps. I felt like I\u2019d entered a magical world\u2019 Morris used to be a very male-dominated sport, but in 1975 the Morris Federation was created specifically&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-17T13:31:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/bcb03057d87eb15aca4b3a99b23d1d8ff9c9e767\/0_532_4542_3633\/master\/4542.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3a35e90996ad4aa00d94621ea39bfbfb\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian\",\"datePublished\":\"2026-06-17T13:31:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/\"},\"wordCount\":254,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/4542-2gZdw6.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/\",\"name\":\"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/4542-2gZdw6.jpg\",\"datePublished\":\"2026-06-17T13:31:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/4542-2gZdw6.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/4542-2gZdw6.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/17\\\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left","og_description":"\u2018I wanted to celebrate the women who are reinventing morris dancing. They took me to a pub and gave me a pickled egg mashed up in a packet of crisps. I felt like I\u2019d entered a magical world\u2019 Morris used to be a very male-dominated sport, but in 1975 the Morris Federation was created specifically&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-06-17T13:31:58+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/bcb03057d87eb15aca4b3a99b23d1d8ff9c9e767\/0_532_4542_3633\/master\/4542.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3a35e90996ad4aa00d94621ea39bfbfb","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian","datePublished":"2026-06-17T13:31:58+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/"},"wordCount":254,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/4542-2gZdw6.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/","name":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/4542-2gZdw6.jpg","datePublished":"2026-06-17T13:31:58+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/4542-2gZdw6.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/4542-2gZdw6.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/17\/midsummer-morris-dancers-and-their-mysterious-goat-caprihorn-hollie-fernandos-best-portrait-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Midsummer morris dancers and their mysterious goat Caprihorn: Hollie Fernando\u2019s best portrait Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=12559"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12559\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/12560"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=12559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=12559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=12559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}