{"id":12826,"date":"2026-06-26T16:33:56","date_gmt":"2026-06-26T16:33:56","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/"},"modified":"2026-06-26T16:33:56","modified_gmt":"2026-06-26T16:33:56","slug":"colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/","title":{"rendered":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian"},"content":{"rendered":"<p><strong>Queen Elizabeth Hall, London<br \/><\/strong>Full of surprises, Stephanie Lake\u2019s 2018 piece is a feat of logistics as 60 performers display split-second timing<\/p>\n<p>Mass movement can have a walloping impact. Whether in military parades or Olympic opening ceremonies, Busby Berkeley routines or the corps de ballet, a vast number of bodies chiming together in precise formation equals automatic wow factor.<\/p>\n<p>Australian choreographer Stephanie Lake knows it, and her piece Colossus, which was originally made in 2018, has been performed all over the world. Clips from it went viral online. Now it has a UK premiere with a cast of 60 students from the London Contemporary Dance School \u2013 enough of them to fill the stage of the Queen Elizabeth Hall.<\/p>\n<p>At <a href=\"https:\/\/www.southbankcentre.co.uk\/whats-on\/colossus\/\">Queen Elizabeth Hall, London<\/a>, until 27 June<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/jun\/26\/colossus-review-queen-elizabeth-hall-london-stephanie-lake\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/jun\/26\/colossus-review-queen-elizabeth-hall-london-stephanie-lake\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/2a0fe4a603efe807305a602a64e0bef4a991e550\/881_373_6017_4813\/master\/6017.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca93417798ec9910003a15bf61faddbb\" title=\"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh!\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake\u2019s 2018 piece is a feat of logistics as 60 performers display split-second timing Mass movement can have a walloping impact. Whether in military parades or Olympic opening ceremonies, Busby Berkeley routines or the corps de ballet, a vast number of bodies chiming together in precise formation equals&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake\u2019s 2018 piece is a feat of logistics as 60 performers display split-second timing Mass movement can have a walloping impact. Whether in military parades or Olympic opening ceremonies, Busby Berkeley routines or the corps de ballet, a vast number of bodies chiming together in precise formation equals&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-26T16:33:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/2a0fe4a603efe807305a602a64e0bef4a991e550\/881_373_6017_4813\/master\/6017.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca93417798ec9910003a15bf61faddbb\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian\",\"datePublished\":\"2026-06-26T16:33:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/\"},\"wordCount\":143,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/6017-lMH0cg.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/\",\"name\":\"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/6017-lMH0cg.jpg\",\"datePublished\":\"2026-06-26T16:33:56+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/6017-lMH0cg.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/6017-lMH0cg.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/06\\\/26\\\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left","og_description":"Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake\u2019s 2018 piece is a feat of logistics as 60 performers display split-second timing Mass movement can have a walloping impact. Whether in military parades or Olympic opening ceremonies, Busby Berkeley routines or the corps de ballet, a vast number of bodies chiming together in precise formation equals&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-06-26T16:33:56+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/2a0fe4a603efe807305a602a64e0bef4a991e550\/881_373_6017_4813\/master\/6017.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca93417798ec9910003a15bf61faddbb","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian","datePublished":"2026-06-26T16:33:56+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/"},"wordCount":143,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/6017-lMH0cg.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/","name":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/6017-lMH0cg.jpg","datePublished":"2026-06-26T16:33:56+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/6017-lMH0cg.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/06\/6017-lMH0cg.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/06\/26\/colossus-review-masses-of-dancers-masses-of-fun-in-a-show-that-goes-whoosh-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Colossus review \u2013 masses of dancers, masses of fun in a show that goes whoosh! Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=12826"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12826\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/12827"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=12826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=12826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=12826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}