{"id":12932,"date":"2026-07-01T08:33:14","date_gmt":"2026-07-01T08:33:14","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\/"},"modified":"2026-07-01T08:33:14","modified_gmt":"2026-07-01T08:33:14","slug":"depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\/","title":{"rendered":"Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art Culture | The Guardian"},"content":{"rendered":"<p>From classical painting to video games, this survey of the taboo and the twisted won\u2019t let you look away<\/p>\n<p>Museums are damned if they do, damned if they don\u2019t. Ignore the problems of the past and they\u2019re criticised for being problematic. Rewrite their labels according to changing politics and they\u2019re called preachy and woke. The\u00a0fact is, history is filled with immoral art. But how do we know it when we see it? And what, if anything, should we be doing about it?<\/p>\n<p>In her timely and punchy new book, the philosopher Daisy Dixon explores some of the most controversial artworks ever produced. She\u2019s interested in how an artist\u2019s character can influence their creations, and the harmful effects those creations can have on the world.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/books\/2026\/jul\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/books\/2026\/jul\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/4ae9897dc2c666a751c50ce7ae24e60d05fef09f\/0_308_6000_4801\/master\/6000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f398c1f222babde14047af91709b4bf5\" title=\"Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>From classical painting to video games, this survey of the taboo and the twisted won\u2019t let you look away Museums are damned if they do, damned if they don\u2019t. Ignore the problems of the past and they\u2019re criticised for being problematic. Rewrite their labels according to changing politics and they\u2019re called preachy and woke. The\u00a0fact&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"From classical painting to video games, this survey of the taboo and the twisted won\u2019t let you look away Museums are damned if they do, damned if they don\u2019t. Ignore the problems of the past and they\u2019re criticised for being problematic. Rewrite their labels according to changing politics and they\u2019re called preachy and woke. The\u00a0fact&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-01T08:33:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/4ae9897dc2c666a751c50ce7ae24e60d05fef09f\/0_308_6000_4801\/master\/6000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f398c1f222babde14047af91709b4bf5\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art Culture | The Guardian\",\"datePublished\":\"2026-07-01T08:33:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/\"},\"wordCount\":150,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/6000-dOY3Yy.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/depraved-by-daisy-dixon-review-a-history-of-dark-and-dangerous-art-culture-the-guardian\\\/\",\"name\":\"Depraved by Daisy Dixon review \u2013 a history of dark and dangerous art Culture | The Guardian - 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