{"id":12961,"date":"2026-07-01T15:33:39","date_gmt":"2026-07-01T15:33:39","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/"},"modified":"2026-07-01T15:33:39","modified_gmt":"2026-07-01T15:33:39","slug":"ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/","title":{"rendered":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian"},"content":{"rendered":"<p><strong>Aviva Studios, Manchester<br \/><\/strong>The artist\u2019s latest show is a staggering takedown of colonial history, warfare and the migrant crisis, featuring buttons by the tonne and richly perfumed tea <\/p>\n<p>History has repeated itself all over Ai Weiwei\u2019s vast exhibition of monumental sculpture in Manchester. The flags of long-lost nations hang from the ceiling, bronzes looted by dead empires have been recast and reclaimed, dilapidated ancient ruins have been rebuilt. Everywhere you look here, you will find death, exploitation, greed and suffering from across human history, brought back to life and put morbidly on display. The first thing you see is a black glass chandelier made of skeletons \u2013 The Human Comedy \u2013 and a wall covered in images of the most powerful bombs ever invented. Like a head on a stake, this is art as warning.<\/p>\n<p>This massive, ambitious exhibition is the Chinese artist at his most monumental, and as a result at his most effective. His subject matter works best at enormous scale, blown up, expanded, shoved in your face. Lining the back wall of this warehouse is a giant inflatable dinghy, 100 metres long, filled with figures in lifejackets. Think you can ignore the migrant crisis? Not here you can\u2019t, because Ai has taken everyday, normalised tragedy and made it into a monument. He spent years interviewing hundreds of refugees, meeting people desperate for safety and a new life and produced a huge amount of work about it. This is the culmination of that project. Is it a good-looking work of art? Not really, but it makes a point, and makes it loudly.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/01\/ai-weiwei-button-up-review-manchester\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/01\/ai-weiwei-button-up-review-manchester\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/b3ea33975fdfb6684f7d64cb9cbd46c711fc9eba\/627_0_3937_3149\/master\/3937.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f659c4fee8796cb9d3fd81d3a59796fb\" title=\"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Aviva Studios, ManchesterThe artist\u2019s latest show is a staggering takedown of colonial history, warfare and the migrant crisis, featuring buttons by the tonne and richly perfumed tea History has repeated itself all over Ai Weiwei\u2019s vast exhibition of monumental sculpture in Manchester. The flags of long-lost nations hang from the ceiling, bronzes looted by dead&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12962,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Aviva Studios, ManchesterThe artist\u2019s latest show is a staggering takedown of colonial history, warfare and the migrant crisis, featuring buttons by the tonne and richly perfumed tea History has repeated itself all over Ai Weiwei\u2019s vast exhibition of monumental sculpture in Manchester. The flags of long-lost nations hang from the ceiling, bronzes looted by dead&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-01T15:33:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/b3ea33975fdfb6684f7d64cb9cbd46c711fc9eba\/627_0_3937_3149\/master\/3937.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f659c4fee8796cb9d3fd81d3a59796fb\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian\",\"datePublished\":\"2026-07-01T15:33:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/\"},\"wordCount\":286,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/3937-qup1nx.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/\",\"name\":\"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/3937-qup1nx.jpg\",\"datePublished\":\"2026-07-01T15:33:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/3937-qup1nx.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/3937-qup1nx.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/01\\\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left","og_description":"Aviva Studios, ManchesterThe artist\u2019s latest show is a staggering takedown of colonial history, warfare and the migrant crisis, featuring buttons by the tonne and richly perfumed tea History has repeated itself all over Ai Weiwei\u2019s vast exhibition of monumental sculpture in Manchester. The flags of long-lost nations hang from the ceiling, bronzes looted by dead&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-07-01T15:33:39+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/b3ea33975fdfb6684f7d64cb9cbd46c711fc9eba\/627_0_3937_3149\/master\/3937.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f659c4fee8796cb9d3fd81d3a59796fb","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian","datePublished":"2026-07-01T15:33:39+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/"},"wordCount":286,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/3937-qup1nx.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/","name":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/3937-qup1nx.jpg","datePublished":"2026-07-01T15:33:39+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/3937-qup1nx.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/3937-qup1nx.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/01\/ai-weiwei-button-up-review-skeleton-chandeliers-a-real-life-temple-and-too-much-silly-lego-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Ai Weiwei: Button Up! review \u2013 skeleton chandeliers, a real-life temple \u2013 and too much silly Lego Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=12961"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/12961\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/12962"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=12961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=12961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=12961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}