{"id":12994,"date":"2026-07-03T07:42:50","date_gmt":"2026-07-03T07:42:50","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/so-full-frontal-you-feel-like-a-voyeur-for-looking-lindsey-mendick-where-you-end-and-i-begin-review-culture-the-guardian\/"},"modified":"2026-07-03T07:42:50","modified_gmt":"2026-07-03T07:42:50","slug":"so-full-frontal-you-feel-like-a-voyeur-for-looking-lindsey-mendick-where-you-end-and-i-begin-review-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/so-full-frontal-you-feel-like-a-voyeur-for-looking-lindsey-mendick-where-you-end-and-i-begin-review-culture-the-guardian\/","title":{"rendered":"\u2018So full-frontal, you feel like a voyeur for looking\u2019: Lindsey Mendick: Where You End and I Begin review Culture | The Guardian"},"content":{"rendered":"<p><strong>Carl Freedman Gallery, Margate<\/strong><br \/>With snogging snails, conjoined lovers and her own pug Telly as Jesus, the ceramicist sculpts a mangled mythology of her own relationships<\/p>\n<p>If you\u2019re worried that romance may be dead, just one look at Lindsey Mendick\u2019s <a href=\"https:\/\/carlfreedman.com\/exhibition\/lindsey-mendick-2026\/\">new exhibition<\/a> will reassure you that it\u2019s very much alive. It\u2019s just a bit damaged and mangled. Well, mangled is an understatement. The English ceramicist paints a portrait of romantic love that\u2019s mutated and twisted, gory and gross. This is love as body horror, romance as drug, co-dependency as living nightmare.<\/p>\n<p>The whole show is inspired by her love for her partner, the artist Guy Oliver, and her little black pug, Telly. Grainy, gritty Polaroids in the opening room find Lindsey and Guy embracing and canoodling, arms wrapped around each other, toes in one another\u2019s mouths, naked bodies writhing together, tongues licking nipples, feet pressed against bare bollocks. It\u2019s an incredibly intimate insight into their relationship, so full-frontal that you feel like a voyeur for looking.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/03\/lindsey-mendick-review-carl-freedman-gallery-margate-full-frontal\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/03\/lindsey-mendick-review-carl-freedman-gallery-margate-full-frontal\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/35112d1018c5b50bb2b70764f36f381e307080bc\/167_879_2898_2318\/master\/2898.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8e6aecd457580df1671dc0d7135db9cc\" title=\"\u2018So full-frontal, you feel like a voyeur for looking\u2019: Lindsey Mendick: Where You End and I Begin review\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Carl Freedman Gallery, MargateWith snogging snails, conjoined lovers and her own pug Telly as Jesus, the ceramicist sculpts a mangled mythology of her own relationships If you\u2019re worried that romance may be dead, just one look at Lindsey Mendick\u2019s new exhibition will reassure you that it\u2019s very much alive. It\u2019s just a bit damaged and&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018So full-frontal, you feel like a voyeur for looking\u2019: Lindsey Mendick: Where You End and I Begin review Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/so-full-frontal-you-feel-like-a-voyeur-for-looking-lindsey-mendick-where-you-end-and-i-begin-review-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018So full-frontal, you feel like a voyeur for looking\u2019: Lindsey Mendick: Where You End and I Begin review Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Carl Freedman Gallery, MargateWith snogging snails, conjoined lovers and her own pug Telly as Jesus, the ceramicist sculpts a mangled mythology of her own relationships If you\u2019re worried that romance may be dead, just one look at Lindsey Mendick\u2019s new exhibition will reassure you that it\u2019s very much alive. 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