{"id":13008,"date":"2026-07-03T12:31:46","date_gmt":"2026-07-03T12:31:46","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/"},"modified":"2026-07-03T12:31:46","modified_gmt":"2026-07-03T12:31:46","slug":"joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/","title":{"rendered":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian"},"content":{"rendered":"<p><strong>O2 Academy, Glasgow<br \/><\/strong>In her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she\u2019s a touch nonchalant \u2013 and there\u2019s a real misstep<\/p>\n<p>\u2018I\u2019m not a very good storyteller,\u201d shrugs Joan Jett, sporting black leather and trademark poker face. If you\u2019ve come expecting something as sappy as sentimental anecdotes at this anniversary tour celebrating 45 years of her career-defining albums Bad Reputation and I Love Rock\u2019n\u2019Roll, you\u2019d better jog on.<\/p>\n<p>The Rock and Roll Hall of Famer isn\u2019t here to chat, or pat herself on the back. This first UK headline show in 16 years delivers straight-shooting hard rock, from early cuts with the Runaways to her most recent releases with the Blackhearts. At 67, Jett\u2019s voice is still deep and commanding \u2013 if time has added more gravel, it\u2019s only for the better \u2013 and the Blackhearts\u2019 current iteration as a simplified three-piece play hard and fast. It\u2019s all real rock history, but it comes across more like history than it should: even the adrenalised teenage terror of Cherry Bomb is delivered with cool, even stiff, nonchalance.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/03\/joan-jett-and-the-blackhearts-review-o2-academy-glasgow\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/03\/joan-jett-and-the-blackhearts-review-o2-academy-glasgow\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/fcc33c079c2149ee7b7928a16dc3d6d6a7f95693\/1274_0_6827_5464\/master\/6827.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dfb2f64edbf05e769bf9fe201ea5a956\" title=\"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>O2 Academy, GlasgowIn her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she\u2019s a touch nonchalant \u2013 and there\u2019s a real misstep \u2018I\u2019m not a very good storyteller,\u201d shrugs Joan Jett, sporting black leather and trademark poker face. If you\u2019ve come expecting something as sappy as&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":13009,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13008","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"O2 Academy, GlasgowIn her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she\u2019s a touch nonchalant \u2013 and there\u2019s a real misstep \u2018I\u2019m not a very good storyteller,\u201d shrugs Joan Jett, sporting black leather and trademark poker face. If you\u2019ve come expecting something as sappy as&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-03T12:31:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/fcc33c079c2149ee7b7928a16dc3d6d6a7f95693\/1274_0_6827_5464\/master\/6827.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dfb2f64edbf05e769bf9fe201ea5a956\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian\",\"datePublished\":\"2026-07-03T12:31:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/\"},\"wordCount\":214,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/6827-kNopEV.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/\",\"name\":\"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/6827-kNopEV.jpg\",\"datePublished\":\"2026-07-03T12:31:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/6827-kNopEV.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/6827-kNopEV.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/03\\\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left","og_description":"O2 Academy, GlasgowIn her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she\u2019s a touch nonchalant \u2013 and there\u2019s a real misstep \u2018I\u2019m not a very good storyteller,\u201d shrugs Joan Jett, sporting black leather and trademark poker face. If you\u2019ve come expecting something as sappy as&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-07-03T12:31:46+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/fcc33c079c2149ee7b7928a16dc3d6d6a7f95693\/1274_0_6827_5464\/master\/6827.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dfb2f64edbf05e769bf9fe201ea5a956","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian","datePublished":"2026-07-03T12:31:46+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/"},"wordCount":214,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/6827-kNopEV.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/","name":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/6827-kNopEV.jpg","datePublished":"2026-07-03T12:31:46+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/6827-kNopEV.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/07\/6827-kNopEV.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/07\/03\/joan-jett-and-the-blackhearts-review-rip-roaring-rock-history-but-why-is-she-playing-gary-glitter-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Joan Jett and the Blackhearts review \u2013 rip-roaring rock history, but why is she playing Gary Glitter? Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/13008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=13008"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/13008\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/13009"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=13008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=13008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=13008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}