{"id":13211,"date":"2026-07-11T08:43:31","date_gmt":"2026-07-11T08:43:31","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/11\/yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege-culture-the-guardian\/"},"modified":"2026-07-11T08:43:31","modified_gmt":"2026-07-11T08:43:31","slug":"yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/11\/yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege-culture-the-guardian\/","title":{"rendered":"Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege Culture | The Guardian"},"content":{"rendered":"<p><strong>Tate Modern, London<br \/><\/strong>With this work, the choreographer changed the course of dance \u2013 and on its 60th anniversary, viewed by babies, tourists and passers-by, it\u2019s as beguiling and hypnotic as ever<\/p>\n<p>At the back of the Turbine Hall, three people are dancing. If it weren\u2019t for the vinyl dancefloor and the white line separating it from the audience, however, you might not immediately realise it. You could be forgiven for thinking that they were performing some idiosyncratic form of Tai chi or, if this were a different dancefloor, that they had taken rather too many drugs: one rolls around on the ground, another stretches his arms out wide, a third sinks to her haunches and touches her toes. All appear so enthralled by the actions of their own bodies as to be oblivious both to their partners onstage and the audience in front of them.<\/p>\n<p>This being Tate Modern on a Friday afternoon, that audience includes not only art school kids dressed in the same casual fashions as the performers onstage, but also babies screeching from pushchairs and mischievous schoolkids shouting heckles from the mezzanine. None of this seems to perturb the dancers. Having completed her routine, one walks away from the mat and disappears through a door at the back of the hall. The others follow in their own time, and the audience applauds. After a short interval, they are replaced on the stage by a new trio of performers, and the dance begins again.<\/p>\n<p><a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-modern\/yvonne-rainer-trio-a\">Yvonne Rainer: Trio A is at Tate Modern, London, on Saturday 11 July between 2pm and 8pm<\/a><\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/11\/yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/jul\/11\/yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/7596c74d83a3f56cfe42e057cffd0ff49c07ea25\/479_0_4435_3549\/master\/4435.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=91975a337b0c67ed8dbe5613bac8d9cd\" title=\"Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Tate Modern, LondonWith this work, the choreographer changed the course of dance \u2013 and on its 60th anniversary, viewed by babies, tourists and passers-by, it\u2019s as beguiling and hypnotic as ever At the back of the Turbine Hall, three people are dancing. If it weren\u2019t for the vinyl dancefloor and the white line separating it&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":13212,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/11\/yvonne-rainer-trio-a-review-watching-this-thrilling-performance-for-free-feels-like-an-enormous-privilege-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Tate Modern, LondonWith this work, the choreographer changed the course of dance \u2013 and on its 60th anniversary, viewed by babies, tourists and passers-by, it\u2019s as beguiling and hypnotic as ever At the back of the Turbine Hall, three people are dancing. 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