{"id":13833,"date":"2026-07-15T04:31:44","date_gmt":"2026-07-15T04:31:44","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\/"},"modified":"2026-07-15T04:31:44","modified_gmt":"2026-07-15T04:31:44","slug":"ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\/","title":{"rendered":"Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams Culture | The Guardian"},"content":{"rendered":"<p>This tale of a 50-year-old assassin going rogue \u2013 and having to confess all to her best mate \u2013 is so much fun. The chemistry between its leads is a thing of beauty<\/p>\n<p>The bone-deep magnificence of Hannah Waddingham is such that she could, I suspect, talk most of us into a burning car should she wish to. So selling viewers on the delightfully ludicrous premise of the comedy caper Ride or Die is but the work of a moment. Waddingham plays Whiptail, a deadly assassin for the last 20-odd years whose work has recently become more attention-grabbing than her bosses like. Octavia Spencer (who occupies god-tier comedy status in my heart for her tiny part as Tracy Morgan\u2019s nemesis in 30 Rock alone) is her best friend Debbie. Debbie knows Whiptail as Judith, a forensic accountant, and has no idea that behind the woman she depends on for laughs, emotional support and notes on the latest book club book she hasn\u2019t read is a trained killer.<\/p>\n<p>Debbie is married to David (Jamie Parker), a politician, and is the gentle power behind his throne. His personal and professional life have been shaped and smoothed by her for the past 25 years, and he is now on course to be the next prime minister.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2026\/jul\/15\/ride-or-die-review-hannah-waddinghams-comedy-thriller-prime-video\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2026\/jul\/15\/ride-or-die-review-hannah-waddinghams-comedy-thriller-prime-video\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/17d4c6c852b4f6a4991a66e1141553b0460e94d5\/554_44_2388_1911\/master\/2388.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fea25255a6b330e77efd1012808fc5dc\" title=\"Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>This tale of a 50-year-old assassin going rogue \u2013 and having to confess all to her best mate \u2013 is so much fun. The chemistry between its leads is a thing of beauty The bone-deep magnificence of Hannah Waddingham is such that she could, I suspect, talk most of us into a burning car should&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":13834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"This tale of a 50-year-old assassin going rogue \u2013 and having to confess all to her best mate \u2013 is so much fun. The chemistry between its leads is a thing of beauty The bone-deep magnificence of Hannah Waddingham is such that she could, I suspect, talk most of us into a burning car should&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-15T04:31:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/17d4c6c852b4f6a4991a66e1141553b0460e94d5\/554_44_2388_1911\/master\/2388.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fea25255a6b330e77efd1012808fc5dc\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams Culture | The Guardian\",\"datePublished\":\"2026-07-15T04:31:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/\"},\"wordCount\":234,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/2388-CvQd2g.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/15\\\/ride-or-die-review-hannah-waddinghams-comedy-caper-is-the-perimenopausal-tv-of-your-dreams-culture-the-guardian\\\/\",\"name\":\"Ride or Die review \u2013 Hannah Waddingham\u2019s comedy caper is the perimenopausal TV of your dreams Culture | The Guardian - 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