{"id":13839,"date":"2026-07-15T10:34:30","date_gmt":"2026-07-15T10:34:30","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/james-taylor-review-70s-legends-golden-baritone-shines-best-when-stripped-bare-culture-the-guardian\/"},"modified":"2026-07-15T10:34:30","modified_gmt":"2026-07-15T10:34:30","slug":"james-taylor-review-70s-legends-golden-baritone-shines-best-when-stripped-bare-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/15\/james-taylor-review-70s-legends-golden-baritone-shines-best-when-stripped-bare-culture-the-guardian\/","title":{"rendered":"James Taylor review \u2013 70s legend\u2019s golden baritone shines best when stripped bare Culture | The Guardian"},"content":{"rendered":"<p><strong>Edinburgh Castle<\/strong> <br \/>The AI-style backing videos are terrible and his accomplished band can be overly slick at times, but Taylor\u2019s civility and grace cuts through it all<\/p>\n\n<p>James Taylor, in summer twilight, plays the lovely fingerpicked intro to Fire and Rain, a song he has been performing for decades \u2013 and the crowd cheers in recognition of a classic. But does the 78-year-old still <em>feel <\/em>those old songs? He sings them beautifully in his lulling baritone, but perhaps they no longer lift and soothe his heart quite like they do ours. Is the man on stage in front of Edinburgh Castle now just a heritage act at a heritage site?<\/p>\n<p>There is evidence for the prosecution. His live show has a slick professionalism that at times shades into tedium. The 11-piece backing band, including four backing vocalists, is packed with veteran sidemen whose smooth virtuosity can sound bloodless. As a result, the set\u2019s better songs are generally those with spare instrumentation. Millworker has an austerity that suits its subject, the soul-crushing exploitation of labour. Taylor\u2019s voice shines in its simple setting \u2013 a violin drone and martial beat.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/15\/james-taylor-review-edinburgh-castle\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/15\/james-taylor-review-edinburgh-castle\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/5222b97e423b124ab82d1bd9b980985827c91065\/323_593_1392_1113\/master\/1392.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=39eaaee08da8ecb8e6b4d9ad4bdc74a6\" title=\"James Taylor review \u2013 70s legend\u2019s golden baritone shines best when stripped bare\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Edinburgh Castle The AI-style backing videos are terrible and his accomplished band can be overly slick at times, but Taylor\u2019s civility and grace cuts through it all James Taylor, in summer twilight, plays the lovely fingerpicked intro to Fire and Rain, a song he has been performing for decades \u2013 and the crowd cheers in&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":13840,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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