{"id":13904,"date":"2026-07-17T08:32:26","date_gmt":"2026-07-17T08:32:26","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/17\/loathe-a-stranger-to-you-review-culture-the-guardian\/"},"modified":"2026-07-17T08:32:26","modified_gmt":"2026-07-17T08:32:26","slug":"loathe-a-stranger-to-you-review-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/17\/loathe-a-stranger-to-you-review-culture-the-guardian\/","title":{"rendered":"Loathe: A Stranger to You review Culture | The Guardian"},"content":{"rendered":"<p><strong>(SharpTone)<\/strong><br \/>Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis<\/p>\n<p>Loathe took six years to make this fourth album, explaining they wanted to make it very special. Accordingly, A Stranger to You ventures far from the Liverpudlians\u2019 metalcore origins to create an odyssey of mixed and colliding genres. Punishing riffola and slabs of industrial noise coexist with balm-like electronics, acoustic guitars, shoegaze, tinkling jazz pianos and guest rapper Bucki Sugar\u2019s spoken-word narratives (\u201cever forward, forever motion\u201d). Other guests include vocalist Olli Appleyard from Leeds rockers Static Dress, production duo Nowhere2run and \u2013 most unlikely of all \u2013 slinky jazz-soul producer Jordan Rakei.<\/p>\n<p>Precedents for this sort of radical metal departure include Deafheaven\u2019s <a href=\"https:\/\/www.theguardian.com\/music\/2018\/jul\/13\/deafheaven-ordinary-corrupt-human-love-review-anti\">Ordinary Corrupt Human Love<\/a> and Linkin Park\u2019s divisive but compelling A Thousand Suns, but, if anything, Loathe make even more musical handbrake turns. Block of Flats hurtles between gentle atmospherics and guttural vocals. The soaring Fortress Down and Meet My Maker suggest a slightly heavier Muse. Harder to Pretend recalls \u2013 of all things \u2013 Herbie Hancock\u2019s groundbreaking early 70s jazz fusion, while The Way It Breaks haunts as effectively as Disintegration-era Cure.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/17\/loathe-a-stranger-to-you-review\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/17\/loathe-a-stranger-to-you-review\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/e60b297c4e0bc5f9939e8391b361a64f7a49f947\/277_0_2500_2000\/master\/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=406f525e7b027a3de0fda6c8ec17a823\" title=\"Loathe: A Stranger to You review\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>(SharpTone)Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis Loathe took six years to make this fourth album, explaining they wanted to make it very special. Accordingly, A Stranger to You ventures far from the Liverpudlians\u2019 metalcore origins to create an odyssey of mixed and colliding&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":13905,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Loathe: A Stranger to You review Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/17\/loathe-a-stranger-to-you-review-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Loathe: A Stranger to You review Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(SharpTone)Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis Loathe took six years to make this fourth album, explaining they wanted to make it very special. 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