{"id":14046,"date":"2026-07-23T04:35:09","date_gmt":"2026-07-23T04:35:09","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/we-didnt-care-what-the-client-wanted-sheffields-designers-republic-on-their-art-for-aphex-twin-pulp-and-pringles-culture-the-guardian\/"},"modified":"2026-07-23T04:35:09","modified_gmt":"2026-07-23T04:35:09","slug":"we-didnt-care-what-the-client-wanted-sheffields-designers-republic-on-their-art-for-aphex-twin-pulp-and-pringles-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/we-didnt-care-what-the-client-wanted-sheffields-designers-republic-on-their-art-for-aphex-twin-pulp-and-pringles-culture-the-guardian\/","title":{"rendered":"\u2018We didn\u2019t care what the client wanted!\u2019: Sheffield\u2019s Designers Republic on their art for Aphex Twin, Pulp \u2026 and Pringles Culture | The Guardian"},"content":{"rendered":"

Their eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for<\/p>\n

Forty years ago in Sheffield, Ian Anderson founded one of the most influential UK design companies by mistake. \u201cThe name the Designers Republic was a joke, because we weren\u2019t designers,\u201d he recalls. \u201cEarly on, everything we did was in black and white because we didn\u2019t know how to make it colour.\u201d<\/p>\n

With co-founder Nick Phillips, The Designers Republic (TDR) quickly became synonymous with music, designing record covers, packaging, logos and campaigns for everyone from Aphex Twin to Autechre, Pulp to Nine Inch Nails. They worked on groundbreaking video games, such as Wipeout and Grand Theft Auto, collaborated with brand behemoths like Coca-Cola and Adidas, and their work is held in the MoMA and the V&A. There exist such obsessive collectors of their work that Anderson cites one person who remortaged his house twice to keep up with their output.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Their eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for Forty years ago in Sheffield, Ian Anderson founded one of the most influential UK design companies by mistake. \u201cThe name the Designers...<\/p>\n","protected":false},"author":1,"featured_media":14047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n\u2018We didn\u2019t care what the client wanted!\u2019: Sheffield\u2019s Designers Republic on their art for Aphex Twin, Pulp \u2026 and Pringles Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/we-didnt-care-what-the-client-wanted-sheffields-designers-republic-on-their-art-for-aphex-twin-pulp-and-pringles-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We didn\u2019t care what the client wanted!\u2019: Sheffield\u2019s Designers Republic on their art for Aphex Twin, Pulp \u2026 and Pringles Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Their eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. 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