{"id":14052,"date":"2026-07-23T09:39:48","date_gmt":"2026-07-23T09:39:48","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/the-music-in-nolans-odyssey-is-as-well-crafted-and-bloodlessly-unmemorable-as-the-movie-itself-culture-the-guardian\/"},"modified":"2026-07-23T09:39:48","modified_gmt":"2026-07-23T09:39:48","slug":"the-music-in-nolans-odyssey-is-as-well-crafted-and-bloodlessly-unmemorable-as-the-movie-itself-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/the-music-in-nolans-odyssey-is-as-well-crafted-and-bloodlessly-unmemorable-as-the-movie-itself-culture-the-guardian\/","title":{"rendered":"The music in Nolan\u2019s Odyssey is as well-crafted \u2013 and bloodlessly unmemorable \u2013 as the movie itself Culture | The Guardian"},"content":{"rendered":"<p>Ludwig G\u00f6ransson\u2019s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated hero<\/p>\n<p>A few weeks ago I came across a video of Professor Armand D\u2019Angour, associate professor of classics at Oxford university. He explained how, through groundbreaking research involving fragments of melody and rhythms found on papyrus and stone and the reconstruction of ancient instruments, it is now possible to hear for the first time in 2,000 years what ancient Greek music would have sounded like.<\/p>\n<p>Given Ludwig G\u00f6ransson\u2019s beautiful theme for the <em>aulos<\/em> (an ancient double-barrelled flute) in Christopher Nolan\u2019s latest blockbuster, The Odyssey, and his reputation for dedicated research into his subject matter, it seems very likely that he too has heard these calls from the ancient past.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/jul\/23\/the-odysssey-music-ludwig-goransson-christopher-nolan\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/jul\/23\/the-odysssey-music-ludwig-goransson-christopher-nolan\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/cef104676e1180a29893244a31e785fcaefeb457\/824_0_5200_4160\/master\/5200.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=72f02a4efb8edae0a05d40774340a787\" title=\"The music in Nolan\u2019s Odyssey is as well-crafted \u2013 and bloodlessly unmemorable \u2013 as the movie itself\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Ludwig G\u00f6ransson\u2019s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated hero A few weeks ago I came across a video of Professor Armand D\u2019Angour, associate professor of classics at Oxford university. He explained how, through groundbreaking research involving fragments&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":14053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The music in Nolan\u2019s Odyssey is as well-crafted \u2013 and bloodlessly unmemorable \u2013 as the movie itself Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/23\/the-music-in-nolans-odyssey-is-as-well-crafted-and-bloodlessly-unmemorable-as-the-movie-itself-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The music in Nolan\u2019s Odyssey is as well-crafted \u2013 and bloodlessly unmemorable \u2013 as the movie itself Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Ludwig G\u00f6ransson\u2019s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated hero A few weeks ago I came across a video of Professor Armand D\u2019Angour, associate professor of classics at Oxford university. 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